Da Liu Ren (大六壬) is an ancient form of Chinese divination which is based on Chinese Sexagenary Cycle (六十花甲). In English, Da Liu Ren (大六壬) is casually translated as - Six Yang Waters Technique.
Along with the divination methods Qi Men Dun Jia (奇门遁甲) and Tai Yi Shen Shu (太乙神数) — collectively known as the "Three Styles" (San shi 三式) — Da Liu Ren (大六壬) is considered in China to be one of the 3 highest forms of Chinese metaphysics.
Da Liu Ren (大六壬) is mostly used for divining general daily events that affect our own daily lives. Qi Men Dun Jia (奇门遁甲) is generally used for military action but, can be applied to competitive environments in making the right strategic decision in ever-changing situations. Tai Yee (太乙) is used to divine events that affect societies, such as earthquake, weather effects like hurricanes, massacres, natural disasters, etc.
Chinese Sexagenary Cycle (六十花甲) - A cycle of 60 years in Chinese Calender Term.
It is called Da Liu Ren (大六壬) because in the Sexegenary cycle there are Six Rens (六壬), when the 10 Heavenly Stems (十天干) are combined with the 12 Earthly Branches (十二地支).
甲子 乙丑 丙寅 丁卯 戊辰 己巳 庚午 辛未 壬申 癸酉
甲戌 乙亥 丙子 丁丑 戊寅 己卯 庚辰 辛巳 壬午 癸未
甲申 乙酉 丙戌 丁亥 戊子 己丑 庚寅 辛卯 壬辰 癸巳
甲午 乙未 丙申 丁酉 戊戌 己亥 庚子 辛丑 壬寅 癸卯
甲辰 乙巳 丙午 丁未 戊申 己酉 庚戌 辛亥 壬子 癸丑
甲寅 乙卯 丙辰 丁巳 戊午 己未 庚申 辛酉 壬戌 癸亥
Ren (壬) represents the element of Yang Water (阳水). In the River Map - Hetu (河), it stated "天一生水,地六成之" literally translated as “Heavenly One creates water, Earthly Six produces it”. It means Water is the Mother of all things as it gives birth to Life. One plus the middle number 5, turn into 6, 6 turns to water. Therefore 6 Waters (六壬).
There is a saying of Tai Ji(太极): "One gives birth to Two, Two gives birth to Three, Three gives birth to Ten of Thousand Births of Life". Therefore, the study of Liu Ren(六壬之学) , also means the study of Tai-Ji (太极之学).
The divination of Da Liu Ren (大六壬) is entirely base on the Taoist thoughts of "Tai-Ji produces two forms, Two forms produce four phenomena, Four phenomena produce the eight trigrams - Bagua(八卦)".
The Liu Ren 六壬 celestial chart comprise a Heaven Plate (天盘 - tian pan), an Earth Plate (地盘 - di pan),Sun (in relation to the 12 earthly branch or positions on Earth) - 太阳(日缠), Moon, 28 Constellations, Year-Month-Day-Hour, Four Seasons etc of natural periodical changes of life, all of in which space-time relationship is met, and the nature of birth and death or clashes and growths/production of the elements which is the essence of life. For the positive change of the system/Tai Ji, in order to achieve unity and balance, which is the highest stage of "Heaven and Man as One" (天人合一).
The proficient Liu Ren 六壬 practitioner could simply use his own palms and fingers to represent one earth plate and one heaven plate. The divination can be literally performed with fingers hidden inside one's sleeves to predict the happening of upcoming events. Thus, a good mastery of such Liu Ren (六壬) allows the preparation in advance for any circumstances in the horizon. Besides, one could even trace back the past with amazing accuracy as well.
If you have mastered Da Liu Ren, the inquirer does not need to ask any question - 学会大六壬来人不用问. It really means a proficient Liu Ren 六壬 diviner ( and also a QMDJ 奇門遁甲 diviner) can give you the answer that You need, without you asking a question. This is because both systems cover the picture of all the things in the present and the future transformations.
Ultimately, mastering Divination/Forecasting skills are very useful not just for daily mundane matters but also help one to develop a strategic compass to guide one to gain the high grounds despite encountering challenging circumstances/situations and consistently enhance one’s chances of achieving greater rewarding results and favourable outcome.
Full Video Lessons Of Da Liu Ren (大六壬) by 2 different Masters
Full Video Lessons Of Da Liu Ren (大六壬) - Master 1
THE ANCIENT TAOIST PRINCIPLE OF RECIPROCITY
IF YOU DO ME A FAVOR, I WILL RETURN A GREATER FAVOR TO YOU BUT IF YOU HURT ME, I WILL NOT OFFER THE OTHER CHEEK. IF YOU INSULT ME, I WILL PUNCH YOU; IF YOU PUNCH ME, I WILL BREAK YOUR ARM; IF YOU BREAK MY ARM, I WILL BREAK YOUR LEG; AND IF YOU BREAK MY LEG, I WILL PUT YOU IN A COFFIN
IF YOU DO ME A FAVOR, I WILL RETURN A GREATER FAVOR TO YOU BUT IF YOU HURT ME, I WILL NOT OFFER THE OTHER CHEEK. IF YOU INSULT ME, I WILL PUNCH YOU; IF YOU PUNCH ME, I WILL BREAK YOUR ARM; IF YOU BREAK MY ARM, I WILL BREAK YOUR LEG; AND IF YOU BREAK MY LEG, I WILL PUT YOU IN A COFFIN
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Mysterious Gates Escaping Technique - Qi Men Dun Jia (奇门遁甲) - QMDJ
Qi Men Dun Jia (奇门遁甲) is an ancient form of Chinese Divination. Along with Da Liu Ren (大六壬) and Tai Yi Shen Shu (太乙神数), it is one of the 3 China's highest metaphysical arts. Originally, Qi Men Dun Jia (奇门遁甲) was devised to help form military strategy and tactics.
Qi Men Dun Jia may be applied to business, crime-solving, marriages and matchmaking, medical divination, Feng Shui, military affairs, finding missing people, travel, personal fortune divination etc.
The Origin of Qi Men Dun Jia (奇门遁甲)
4600 years ago, Yellow Emperor (黃帝) - 2697 BC to 2597 BC) was fighting against a war with Chi-You (蚩尤), who had the capability to summon the wind and rain. It was said that his head was as strong as copper and arms are like iron (铜头铁臂) and able to win any wars.
During the battle, Yellow Emperor knew he did not have the capability to defeat him. In desperation,Goddess Jiu Tian Xian Nu (九天玄女) sent him a Heavenly Book - Long Jia Shen Zhang (龙甲神章).
In addition to the method of building and making weapons, Long Jia Shen Zhang (龙甲神章) also documented the strategies of war and movement and deployment of soldiers.
At the same time, Feng Hou (风后) - The Prime Minister (宰相) Of Yellow Emperor, invented the the South Pointing Charot (指南车) and devised the Ba Zheng Tu (八阵图) - 8 Battle Arrays .
With the knowledge of Long Jia Shen Zhang (龙甲神章), the South Pointing Charot (指南车) and the battle formation of Ba Zheng Tu (八阵图), Yellow Emperor was able to win the war against Chi-You (蚩尤).
Later on, Yellow Emperor put Feng Hou (风后) to task to reorganize Long Jia Shen Zhang (龙甲神章) into 13 Chapters Of Art of War (兵法十三章) , 12 Chapters of Solitary Virtual Methods (孤虚法十二章) and 1080 Configurations of Qi Men Dun Jia (奇门遁甲一千零八十局).
Famous Chinese Historical Figures who Had Applied Qi Men Dun Jia (奇门遁甲):
The Powerful Techniques Of Qi Men Dun Jia (奇门遁甲)
Qi Men Dun Jia offers a map of hourly (Chinese Hour) that few other systems can match. Qi Men Dun Jia draws its power from the Post-Heaven Trigram or Ba Gua. A Qi Men Dun Jia chart will provide information with regards to Heaven, Earth and Man interaction (天时地利人和). If the chart shows support from Heaven, Earth and Man means it is an auspicious chart.
In the Qi Men Dun Jia Pan (Plate or Chart) consists of the following elements:
The Qi Men Dun Jia cosmic board consists of a 3 × 3 magic square of nine palaces, which includes a Heaven and Earth pan, a spirit pan, eight gates and a star pan. The various symbols rotate around the palaces with each double hour, making a total of 1,080 different configurations of the Qi Men Dun Jia cosmic board. These "ju" (局) or situations are recycled four times per year, and are divided between the Yin and Yang halves of the year.
Each type of Qi Men Dun Jia divination carries its unique set of Use Spirits (yong shen). For example, medical divination relies mainly upon the Tian Rui Star, the Tian Xin Star, and Yi Qi. The task of the Qi Men Dun Jia analyst is to interpret and analyze the meanings of the symbols in relation to questions asked. Any Qi Men Dun Jia ju may be interpreted or analyzed to respond to a wide variety of questions, or to solve a multitude of problems.
Qi Men Dun Jia is rooted in non-western concepts of time, where time takes on qualities and characteristics, and one segment of time is not necessarily comparable with another. The analyst makes reference to the configuration of the cosmic board at the time when a question is posed, or for birth times of individuals or corporate entities, such as businesses or nations. At times, the same or very similar configurations of the cosmic board will appear in relation to the same series of questions or problems.
Full Video Lessons of Qi-Men-Dun-Jia
Modern Days Applications Of Qi Men Dun Jia (奇门遁甲)
Over the centuries of Chinese history, Qi Men Dun Jia grew in popularity and was expanded to include a number of other types of divination, including medical divination, matchmaking, childbirth, travel, personal fortunes, and today includes contemporary applications, most notably, that of business and finance.
Video Of Qi Men Dun Jia (奇门遁甲) Seminar in Russia
Application Of Qi Men Dun Jia (奇门遁甲) In Taoist Sorcery
In Taoist Sorcery, a Taoist Sorcerer who is equipped with the knowledge of Qi Men Dun Jia (奇门遁甲), usually applies for himself, mainly on The Art of Escaping /Fleeing (遁法), The Art of Concealment (隐身法) and The Art of Creating Barriers (障法).
By right, the duty of a Taoist Sorcerer is to do rituals and cast spells only. While the ritual is still on-going, he will always be bombarded with the same questions by his impatient folks and clients - "What should I be doing now?" , "What must I do now?" , "What can I do now?".
With the knowledge of Qi Men Dun Jia (奇门遁甲), Taoist Sorcerer will be able to provide the best method, locate the best place and calculate the best time to execute the best move to improve the situation for his folks and clients immediately, and at the same time, seek the support of spiritual force by invoking the deities or summon the ghosts / spirits / demons to work on the issue as well.
With combination of both sides of power (Human Internvention using Qi Men Dun Jia (奇门遁甲) and deities / ghosts / spirits /demons using their spiritual power) to work on your issues - love / money / seek revenge / payback, the end results are almost always positive.
Qi Men Dun Jia may be applied to business, crime-solving, marriages and matchmaking, medical divination, Feng Shui, military affairs, finding missing people, travel, personal fortune divination etc.
The Origin of Qi Men Dun Jia (奇门遁甲)
4600 years ago, Yellow Emperor (黃帝) - 2697 BC to 2597 BC) was fighting against a war with Chi-You (蚩尤), who had the capability to summon the wind and rain. It was said that his head was as strong as copper and arms are like iron (铜头铁臂) and able to win any wars.
During the battle, Yellow Emperor knew he did not have the capability to defeat him. In desperation,Goddess Jiu Tian Xian Nu (九天玄女) sent him a Heavenly Book - Long Jia Shen Zhang (龙甲神章).
In addition to the method of building and making weapons, Long Jia Shen Zhang (龙甲神章) also documented the strategies of war and movement and deployment of soldiers.
At the same time, Feng Hou (风后) - The Prime Minister (宰相) Of Yellow Emperor, invented the the South Pointing Charot (指南车) and devised the Ba Zheng Tu (八阵图) - 8 Battle Arrays .
With the knowledge of Long Jia Shen Zhang (龙甲神章), the South Pointing Charot (指南车) and the battle formation of Ba Zheng Tu (八阵图), Yellow Emperor was able to win the war against Chi-You (蚩尤).
Later on, Yellow Emperor put Feng Hou (风后) to task to reorganize Long Jia Shen Zhang (龙甲神章) into 13 Chapters Of Art of War (兵法十三章) , 12 Chapters of Solitary Virtual Methods (孤虚法十二章) and 1080 Configurations of Qi Men Dun Jia (奇门遁甲一千零八十局).
Famous Chinese Historical Figures who Had Applied Qi Men Dun Jia (奇门遁甲):
- Jiang Zi Ya (姜子牙)
- Zhang Liang (张良)
- Zhuge Liang (诸葛亮)
- Liu Bowen (刘伯温)
- Mao Zedong (毛泽东)
The Powerful Techniques Of Qi Men Dun Jia (奇门遁甲)
Qi Men Dun Jia offers a map of hourly (Chinese Hour) that few other systems can match. Qi Men Dun Jia draws its power from the Post-Heaven Trigram or Ba Gua. A Qi Men Dun Jia chart will provide information with regards to Heaven, Earth and Man interaction (天时地利人和). If the chart shows support from Heaven, Earth and Man means it is an auspicious chart.
In the Qi Men Dun Jia Pan (Plate or Chart) consists of the following elements:
- 九宫八卦图 (9 Palaces 8 Trigram chart)
- 地盘 Di Pan (Earth Plate)
- 十天干 (10 Heavenly Stems)
- 八神 Ba Shen (8 Gods)
- 天盘 Tian Pan (Heaven Plate)
- 人盘 Ren Pan (Human Plate)
- 驿马星 (Traveling Horse)
- 空 (Emptiness)
The Qi Men Dun Jia cosmic board consists of a 3 × 3 magic square of nine palaces, which includes a Heaven and Earth pan, a spirit pan, eight gates and a star pan. The various symbols rotate around the palaces with each double hour, making a total of 1,080 different configurations of the Qi Men Dun Jia cosmic board. These "ju" (局) or situations are recycled four times per year, and are divided between the Yin and Yang halves of the year.
Each type of Qi Men Dun Jia divination carries its unique set of Use Spirits (yong shen). For example, medical divination relies mainly upon the Tian Rui Star, the Tian Xin Star, and Yi Qi. The task of the Qi Men Dun Jia analyst is to interpret and analyze the meanings of the symbols in relation to questions asked. Any Qi Men Dun Jia ju may be interpreted or analyzed to respond to a wide variety of questions, or to solve a multitude of problems.
Qi Men Dun Jia is rooted in non-western concepts of time, where time takes on qualities and characteristics, and one segment of time is not necessarily comparable with another. The analyst makes reference to the configuration of the cosmic board at the time when a question is posed, or for birth times of individuals or corporate entities, such as businesses or nations. At times, the same or very similar configurations of the cosmic board will appear in relation to the same series of questions or problems.
Full Video Lessons of Qi-Men-Dun-Jia
Modern Days Applications Of Qi Men Dun Jia (奇门遁甲)
Over the centuries of Chinese history, Qi Men Dun Jia grew in popularity and was expanded to include a number of other types of divination, including medical divination, matchmaking, childbirth, travel, personal fortunes, and today includes contemporary applications, most notably, that of business and finance.
Video Of Qi Men Dun Jia (奇门遁甲) Seminar in Russia
Application Of Qi Men Dun Jia (奇门遁甲) In Taoist Sorcery
In Taoist Sorcery, a Taoist Sorcerer who is equipped with the knowledge of Qi Men Dun Jia (奇门遁甲), usually applies for himself, mainly on The Art of Escaping /Fleeing (遁法), The Art of Concealment (隐身法) and The Art of Creating Barriers (障法).
By right, the duty of a Taoist Sorcerer is to do rituals and cast spells only. While the ritual is still on-going, he will always be bombarded with the same questions by his impatient folks and clients - "What should I be doing now?" , "What must I do now?" , "What can I do now?".
With the knowledge of Qi Men Dun Jia (奇门遁甲), Taoist Sorcerer will be able to provide the best method, locate the best place and calculate the best time to execute the best move to improve the situation for his folks and clients immediately, and at the same time, seek the support of spiritual force by invoking the deities or summon the ghosts / spirits / demons to work on the issue as well.
With combination of both sides of power (Human Internvention using Qi Men Dun Jia (奇门遁甲) and deities / ghosts / spirits /demons using their spiritual power) to work on your issues - love / money / seek revenge / payback, the end results are almost always positive.
Origin Of Chinese Tomb Sweeping Day - Qingming Festival (清明节)
Qing Ming Festival(清明节) is a traditional Chinese festival on the 104th day after the winter solstice (or the 15th day from the Spring Equinox). Astronomically it is also a solar term - Qing Ming (清明). The Qingming festival falls on the first day of the fifth solar term, named Qing Ming (清明). Its name denotes a time for people to go outside and enjoy the greenery of springtime (踏青 Tàqīng, "treading on the greenery") and tend to the graves of departed ones.
Qing Ming (清明 - clear and bright) is the name of the 5th solar term of the traditional East Asian lunisolar calendar, which divides a year into 24 solar terms (节气). Qingming begins when the sun reaches the celestial longitude of 15° and ends when it reaches the longitude of 30°. It more often refers in particular to the day when the sun is exactly at the celestial longitude of 15°. In the Gregorian calendar, it usually begins around 4 April or 5 April and ends around 20 April.
Qing Ming Festival (清明节) is known by a number of names in the English language:
- Chinese All Souls Day
- Clear Bright Festival
- Ancestors Day
- Festival for Tending Graves
- Grave Sweeping Day
- Chinese Memorial Day
- Tomb Sweeping Day
- Spring Remembrance
The Origin of Qingming Festival (清明节)
Qingming Festival is the day when Chinese people visit the graves or burial grounds of their ancestors. The festival originated from Hanshi Day (寒食节, literally, Day with cold food only), a memorial day for Jie Zitui (介子推).
Jie Zitui died in 636 BC in the Spring and Autumn Period. He was one of many followers of Duke Wen of Jin (晉文公) before he became a duke. Once, during Wen's 19 years of exile, they had no food and Jie prepared some meat soup for Wen. Wen enjoyed it a lot and wondered where Jie had obtained the soup. It turned out Jie had cut a piece of meat from his own thigh to make the soup.
Wen was so moved he promised to reward him one day. However, Jie was not the type of person who sought rewards. Instead, he just wanted to help Wen to return to Jin to become king. Once Wen became duke, Jie resigned and stayed away from him. Duke Wen rewarded the people who helped him in the decades, but for some reason he forgot to reward Jie, who by then had moved into the forest with his mother.
Duke Wen went to the forest, but could not find Jie. Heeding suggestions from his officials, Duke Wen ordered men to set the forest on fire to force out Jie. However, Jie died in the fire. Feeling remorseful, Duke Wen ordered three days without fire to honour Jie's memory. The city where Jie died is still called Jiexiu (介休, literally "the place Jie rests forever").
Qingming has a tradition stretching back more than 2,500 years. Its origin is credited to the Tang Emperor Xuanzong in 732. Wealthy citizens in China were reportedly holding too many extravagant and ostentatiously expensive ceremonies in honor of their ancestors. Emperor Xuanzong, seeking to curb this practice, declared that respects could be formally paid at ancestors' graves only on Qingming. The observance of Qingming found a firm place in Chinese culture and continued since Ancient China
Celebration of Modern Day Qingming Festival (清明节)
The Qingming Festival is an opportunity for Chinese Folks to remember and honour their ancestors at grave sites. Young and old pray before the ancestors, sweep the tombs and offer food, tea, wine, chopsticks, joss paper accessories, and/or libations to the ancestors.
Despite having no holiday status, the overseas Chinese communities in Southeast Asian nations, such as those in Singapore and Malaysia, take this festival seriously and observe its traditions faithfully. Some Qingming rituals and ancestral veneration decorum observed by the oversea Chinese in Malaysia and Singapore can be dated back to Ming and Qing dynasties, as the oversea communities were not affected by the Cultural Revolution in Mainland China.
Qingming in Malaysia is an elaborate family function or a clan feast (usually organized by the respective clan association) to commemorate and honour recently deceased relatives at their grave sites and distant ancestors from China at home altars, clan temples or makeshift altars in Buddhist or Taoist temples.
For the oversea Chinese community, the Qingming festival is very much a family celebration and, at the same time, a family obligation. They see this festival as a time of reflection and to honour and give thanks to their forefathers. Overseas Chinese normally visit the graves of their recently deceased relatives on the nearest weekend to the actual date. According to the ancient custom, grave site veneration is only feasible ten days before and after the Qingming Festival. If the visit is not on the actual date, normally veneration before Qingming is encouraged.
The Qingming Festival in Malaysia and Singapore normally starts early in the morning by paying respect to distant ancestors from China at home altars. This is followed by visiting the graves of close relatives in the country. Traditionally, the family will burn spirit money and paper replicas of material goods such as cars, homes, phones and paper servants.
In Chinese culture, it is believed that people still need all of those things in the afterlife. After the ancestor worship at the grave site, the whole family or the whole clan feast on the food and drink they brought for the worship either at the site or in nearby gardens in the memorial park, signifying family reunion with the ancestors.
Cold Food Festival (寒食节)
The Cold Food Festival or Hanshi Festival (寒食节) is a traditional Chinese holiday celebrated for three consecutive days starting the day before the Qingming Festival. It is celebrated in China as well as the nearby nations of Korea and Vietnam. At this time of year, the sky becomes clearer and buds sprout in the field. Farmers sow various seeds and supply water to their rice paddies.
Legend has it that Chong'er (重耳), a prince of Jin, endured many hardships while he fled around the warring states. Once, in order to help the prince who was tormented by hunger, Jie Zhitui (介之推; also called Jie Zitui (介子推) cut off the flesh from his thigh and offered it to the prince for sustenance.
Later, when Chong'er became Duke Wen of Jin (晉文公), he ordered a search for Jie Zhitui who had gone into hiding in the remote mountains with his mother. Jie Zhitui had no political ambitions and felt ashamed to work with his hypocritical fellows, hence refused invitation of the Duke. Chong'er ordered the mountains to be burned down in order to force Zhitui out of hiding. Unfortunately Zhitui did not give in and the fire ended up killing Zhitui and his mother.
Filled with remorse, Chong'er ordered that each year during these three days the setting of fire is forbidden – all food was to be consumed cold. Therefore the Festival is thus named. In Jiexiu City of the Shanxi Province, where Zhitui died, locals still remember this tradition clearly. But even for them the tradition of eating cold food is no longer actually practiced.
In reality, the true source of the Cold Food Festival started from the ancient tradition of setting fire by rubbing wood pieces together and the tradition of lighting new fires. Due to the change of seasons and the change in the type of wood available, the ancient practice was to change the type of fire-starter-wood used from season to season. Fire is lighted anew upon the start of each season. Before the new fire is officially started no one is allowed to light a fire. This was an important event during that time. The traditionally practiced activities during the Cold Food Festival includes the visitation of ancestral tombs, cock-fighting, playing on swings, beating out blankets (to freshen them), tug-of-war, etc. The practice of visiting ancestral tombs is especially ancient.
In China ancestral worship used to be practiced during the time of the Cold Food Festival. It was later moved to coincide with the Qingming Festival. The Cold Food Festival began to decline after the Tang Dynasty (618-907) and gradually assimilated by the Qingming Festival, also known as Tomb-Sweeping Day.
Korea - Hansik (한식)
In Korea, it is called Hanshik (한식) , literally meaning "cold food," and is a traditional Korean holiday. In the modern version of Hansik, people welcome the warm weather thawing the frozen lands. On this day, rites to worship ancestors are observed early in the morning, and the family visits their ancestors' tombs to tidy up.
Falling on the 105th day after the winter solstice (April 5 by the Gregorian calendar, except in leap years). At this time of year, the sky becomes clearer and buds sprout in the field. Farmers sow various seeds and supply water to their rice paddies. The custom of eating cold food on this day is believed to originate from a Chinese legend, but recently this custom has disappeared.
Since this day coincides with Arbor Day, public cemeteries are crowded with visitors planting trees around the tombs of their ancestors.
Vietnam - Tết Hàn Thực
In Vietnam, where it is called Tết Hàn Thực, the Cold Food Festival is celebrated by Vietnamese people in the northern part of the country on the third day of the third lunar month, but only marginally. People cook glutinous rice balls called bánh trôi on that day but the holiday's origins are largely forgotten, and the fire taboo is also largely ignored.
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Taoist Tour To Hell To Visit The Dead - Guan Luo Yin (观落阴)
If You have been wishing or wondering how to meet Your folks (parents, children and relatives) who have passed on, or maybe one of Your loved ones had died suddenly and he or she might had wanted to inform You or hand over certain matters ; or make clear of the true story of the way he / she died, Guan Luo Yin (观落阴) is a good option.
Guan Luo Yin (观落阴) is one of the 4 types of Guan Lin Su (观灵术) - Way of Viewing Spirits.
The 4 types of Guan Lin Su (观灵术) - Way of Viewing Spirits:
1) Explore Yuan Shen Gong (探 元神宫)
2) Spirit World Tour (游览灵界) / You Di-Yu (游地狱)
3) Meeting The Spirits (相会亡魂)- This is Guan Luo Yin (观落阴)
4) Viewing The "Flowers and Trees" (观花树丛)
Guan Luo Yin (观落阴) is also known as Guan San Gu (观三姑). Guan Luo Yin (观落阴) is a Taoist Ritual for a trip to hell and watch the afterlife. Folks take part in Guan Luo Yin (观落阴) Ritual for the purpose of wanting to know how is the life going on for their dead love ones (parents, children , relatives) in the underworld.
Regardless of Your race, nationality, religion is or even if You're an atheist, You are welcome to participate in Guan Luo Yin (观落阴). Guan Luo Yin (观落阴) is originally one kind of Taoist Magic Arts, it can also apply to all religions and races.
Video Of Guan Luo Yin (观落阴) event held in Taiwan
Nobody knows who created / invented Guan Luo Yin (观落阴) and when it 1st started, but written texts of Ancient Chinese History have records that such "Visiting The Dead" Ritual has been practiced by the Han Dynasty emperors to visit their dead loved ones. In the Tang Dynasty, a poet - Bai JuYi (白居易) wrote in his Poem - Everlasting Regret (长恨歌), wrote about the scenario of Xuan Zhong (玄宗) using Guan Lin Su (观灵术) Ritual to search for Yang Gui Fei (楊貴妃), which highlight about the deep love and helplessness of two people.
Guan Luo Yin (观落阴) is to be conducted in a temple which have gods blessing and protection. Every participant will their the eyes covered with a talisman and blindfolded with a piece of cloth.
Participants will be seated with their shoes removed. They will be led on their Journey To The Underworld by the Chief Taoist Master.
During the ritual, Taoist Master will take each of 2 types of souls - 3 Hun and 7 Po.
The chant for Guan Luo Yin (观落阴) Ritual that the Taoist masters recite is to invoke Three Aunties (三姑 - San Gu) to lead the way.
During Guan Luo Yin (观落阴) Ritual...
During Guan Luo Yin (观落阴) Ritual, participants are told to take note:
1) Look for a light, once you see the light, follow it.
2) Also look out for any scenery, any trees or any unusual object
3) Do not pluck any flowers. A white flower means a male, a red flower means a female. If you pluck any flower, it means
someone on earth will die
4) Do not eat any fruits or take any offerings from any deity or presence. It may prevent your return
Technically, participants did not enter into the hell, they just wonder around the hell gates and walls. Only participants who are led by a God / Deity are allowed to enter the hell gates for a stroll. Being led by a god /deity is extremely rare situation.
Near the hell gate, participants can see all people's love relationship(red flower mean girlfriend, white flower mean boyfriend), Life(the longer the candle, the longer life the person has), the pass away relatives (who just pass away no more than 50 days) and some ghosts, dead people and hell workers.
Guan Luo Yin (观落阴) is NOT hypnotism...
Guan Luo Yin (观落阴) is not hypnotism as suggested by some medical psychologists. In hypnotism, the person usually cannot remembers what he sees or hears when he is hypnotised, whereas in this ritual, the person is fully conscious of his surrounding during the Guan Luo Yin (观落阴) Ritual.
Firstly, participants are self-conscious and have their own judgements without accepting any hints . The hall disciples will deliberately avoid giving hints of any kinds.
Secondly, participants can remember completely what they’ve been experienced through the adventure and describe every details from the journey.
Videos of Journey To The Underworld Led By Dua-Di-Ya-Peh
Journey To The Underworld Led By Dua-Di-Ya-Peh - Video 1
Journey To The Underworld Led By Dua-Di-Ya-Peh - Video 2
Playing The Chinese Ouija Board - Die-Xian (碟仙)
Die-Xian (碟仙) - Chinese Ouija Board is form of divination game played by the Chinese. It is a modern simplified form of Chinese Planchette (known as "Fuji 扶乩").
There is a difference between Fu-Ji (扶乩) and Die-Xian (碟仙). Fu-Ji (扶乩) is formal ritual performed in a Taoist Temple and a deity / god is invited to send answers and messages. Die-Xian (碟仙) is an informal game that can be played by anyone at any places at anytime and a wandering spirit is invited instead.
A piece of paper with Chinese Characters written / printed and a small sauce-tray are used. At least 3 persons or more put one of their index fingers on the cup. Die-Xian (碟仙) Players will pray and call upon a wandering spirit nearby to possess the sauce-tray. When a question is asked, the sauce-tray will start to move by itself around in circles until it comes over a character.
You can ask almost any questions and seek information of almost any topics and subjects. You can even seek Lottery / 4D / Toto / Lotto Numbers by playing the Die-Xian (碟仙).
If You decide to play the Die-Xian (碟仙), remember to light up an incense stick as a form of respect to the wandering spirit and to notify it that You are ready for consultation.
The set-back of playing is Die-Xian (碟仙) is You need at least 2 partners to play the Die-Xian (碟仙) with You. Your personal issues will be revealed to the players during Die-Xian (碟仙) Consultation. When You need to seek Lottery Numbers urgently , You might not able to find 2 partners or willing partners to consult the Die-Xian (碟仙).
When the Die-Xian (碟仙) Players have decided to stop the game, the spirit being invited for the Die-Xian (碟仙) game is thanked verbally and sent off. When the sauce-tray has returned back to the center of the Die-Xian (碟仙) Paper, it means the spirit that possessed the sauce-tray has left. The Die-Xian (碟仙) Players can then lift up their fingers away from the sauce-tray.
Sometime, the spirit is not yet ready to leave ( or simply not interested to leave), the sauce-tray will keep moving in circles and zig-zag manner , not willing to move back to the center point. Players are warned to be patient and wait until the saurce-tray is finally return to the center, if not, there is a risk that one of the Players might get possessed.
Alternate divination games similar to Die-Xian (碟仙) is instead of using sauce-tray , a coin is used instead - Qian-Xian (钱仙) , and also the Bi-Xian (笔仙) - Using a Pen held by 2 players for Automatic Writing.
There is a common Chinese Saying, (请神容易,送神难) "Easy to inviting god /spirit , but difficult to send it off". If the player does not know how to properly send the spirits away, it can be dangerous. There are similar reports on newspapers that spirits / ghosts had possessed the Die-Xian (碟仙) Players during the game of Die-Xian (碟仙).
Chinese Planchette / Spirit Writing - Fu-Ji (扶乩)
Fu-Ji (扶乩) is also called Fu-Luan (扶鸾) or Jiang-Bi (降筆). is a method of "Planchette Writing; Spirit Writing; Automatic Writing"of the Chinese / Taoists.
Its operation requires one or two persons to hold a rack and reveal words or pictures on a prepared sand plate, and then give explanations. It is practised in the composition of Daoist scriptures and in discussing with Immortals. Common people use it for divination and relieving themselves of worries, and to help solve their problems. Fu-Ji (扶乩) is commonly practised in Daoist temples in Taiwan, Hong Kong and at some folk shrines and altars in mainland China.
Planchette writing began as a method for summoning the Lady of the Privy ( 異苑 Yiyuan ) during the Six Dynasties, and flourished in the Tang and Song dynasties.
Liu Jing Shu (刘敬叔), who lived in the Southern Song, recorded in the 'Exotic Garden', vol.5 ( 紫姑 Zigu ) that people believed in the Lady of the Privy. She was said to have been a concubine. The head wife was envious of her and so always ordered her to do the dirty jobs. She died of anger on the fifteenth day of the first month. Each year on that day, people made an idol of her and beckoned her in the washroom or beside the pigsty. If the idol got heavier, it showed that she had descended. Then people offered her juices and fruit, and the idol began to move. Then they asked her to tell them of their good or bad luck.
Summoning the Lady of the Privy was the earliest origin of planchette writing. In Liu Jingshu's records, people only used her idol and didn't practise the planchette. Summoning the Lady of the Privy by means of a planchette appeared in the Tang Dynasty and became popular in the Song. Later, the date of summoning the goddess was no longer limited to the 15th of the first month; it could be done any day.
Shen Kuo (沈括) and Su Shi (苏轼) in the Northern Song also recorded the practise of summoning the Lady of the Privy. Su Shi's descriptions deserve our special attention. He mentioned that the method of summoning her was to make her idol with wood or straw, put clothes on her body and chopsticks in her hands, and then to ask two children to hold it. The chopsticks would write and tell the Lady of the Privy's stories and answers to people's questions (cf. The Collection of Dongpo ( 東坡集 Dongpo Ji ), vol.13: Records of the Lady of the Privy ( 子姑神記 Zigu Shenji )). Zhang Shichen of the Song dynasty also recorded that when summoning the Lady of the Privy, people inserted chopsticks in a planchette and put dust on the table, so that the chopsticks could write on it. Thus by the Song Dynasty, the method of planchette writing had become established.
Fu-Ji (扶乩) has a long history in Chinese folk religion, and is first recorded during the Liu Song Dynasty (刘宋朝)(420-479 CE), found in the book Yi Yuan 《异苑》 by Liu Jing Shu (刘敬叔) - 刘宋刘敬叔《异苑》. Fu-Ji (扶乩) became popular during the Song Dynasty (宋朝)(960-1279), when authors like Shen Kuo (沈括) and Su Shi (苏轼) associated its origins with summoning Zi-Gu 紫姑 "Purple Maiden", the Spirit of the Latrine.
- 扶乩起于中国古代,最早见于刘宋刘敬叔《异苑》,时人通常在正月十五,在厕所或猪栏边迎接紫姑神,凭偶像的跳动,卜未来蚕桑。
- 宋代沈括的《梦溪笔谈》,亦有提及扶箕,當時迎廁神紫姑己是風尚,降神日期亦不只限於正月十五晚。
- 苏轼《子姑神记》
When brought into Daoism, planchette writing influenced the composition of Daoist scriptures.
It is hard to tell when planchette writing was incorporated into Daoism, but it is certain that planchette writing was applied to reveal celestial writing and to compose other Daoist scriptures. Su Shi mentioned that when he was at Huangzhou (today's Huanggang in Hubei Province), he got the seal characters of the Lady of the Privy. The style was unusual and illegible, and so was called " Celestial seal characters"; the contents of the revelation were entitled The Divine Incantation of Tian Peng ( 天蓬神咒 Tianpeng Shenzhou ). The Tian Peng incantation spread into Daoism during the Southern Dynasties. Tao Hongjing had mentioned this fact. Tian Peng was one of the Four Sagely and Perfected Sovereigns, and was very well known. This incantation is one example in which we can see how planchette writing was practised to produce Daoist secret writings (cf. The Collection of Dong Po, vol.13: Records of the Heavenly Sealed Characters ( 天篆記 Tianzhuan Ji )). In the Song Dynasty, the gods involved in planchette writing were no longer limited to the Lady of the Privy, but various kinds of gods, ghosts and immortals also started speaking through the planchette. Hong Mai of the Southern Song mentioned that Daoist gods such as the Perfect Man of Jade Emptiness, the Perfect Man of Supreme Oneness and the Perfect Man of Nanhua were summoned in planchette writing.
Immortals would descend through the planchette to educate people. Using planchette writing to write down immortals' instructions, composing Daoist books and transmitting Daoist skills thus frequently occurred in history. Lu Dongbin was very influential since the Song Dynasty both in Daoism and among common people. In the Preface to the Complete Works of Patriarch Lü by Chen Derong of the Qing dynasty, it is recorded that Patriarch Lu " made the planchette fly to educate the people; even women and children know his name." Lu Dongbin had descended to Han-san-gong altar in Jiang Xia for forty years and bestowed many scriptures. Some of them have been collected into the Complete Works of Patriarch Lü ( 呂祖全書序 Lüzu Quanshu Xu ). In fact, most of the poems and immortal scriptures in that compilation were composed through planchette writing.
There are other Daoist scriptures written by planchette writing, too. Today's Infinite Precious Repentance of Patriarch Lü ( 呂祖無極寶懺 Lüzu Wuji Baochan ) circulating in Hong Kong was also composed by planchette writing.
When planchette writing began to be practised on an altar, it was standardized and borrowed various Daoist skills, talismans, and incantations to summon the gods. A special planchette plate was adopted, with one or two persons to support its frame and write on the sand plate. There are occasions when planchette operators write directly on paper or other things. Large planchette writing altars have planchette supporters ( 扶乩者 Fujizhe ), readers ( 讀乩者 Dujizhe ) and persons to copy them down ( 抄乩者 Chaojizhe ).
Planchette writing is used to resolve doubt, to ask for cures, to discus the Dao, to write and reply to poems, and for didactics.
Originally, planchette writing was used for divination. This function was later maintained. In the past, intellectuals used it to predict their future, and even to ask for examination questions. Today, people apply planchette writing to foretell their future, their business, their journeys and their marriages. Some planchette writings discuss social problems and foretell historical changes. The Planchette Writings of Marquis Zhuge ( 諸葛武侯乩文 Zhuge Wuhou Jiwen ) has been popular in modern Hong Kong. It was composed from planchette writing in 1930s. Its believers think that many of its predictions have come true. Actually, most of these writings are vague in meaning and hard to guess. They are similar to the skills in the Back Massage Chart ( 推背圖 Tuibei Tu ) and the Songs of the Sesame Seed Cake ( 燒餅歌 Shaobing Ge ), which foretell social changes.
Another important use of planchette writing is asking for medicinal prescriptions. When common people are confronted with difficult and complicated diseases, they like to ask for the Planchette Immortal's ( 乩仙 Jixian ) help. The planchette operator would then give oral prescriptions. There are occasions when people discuss medical questions with Planchette Immortals. They then collect and compile their discussions into books. Such is the case of the Return to the Origin of Medicine ( 醫道還元 Yidao Huanyuan ) popular in Hong Kong. This book discusses common things; there isn't much illustration of medical principles and even fewer creative ideas. The planchette altars in Daoist temples have planchette writings to discuss the Dao, and even whole books of such discussions. These writings or books may differ according to different people's requirements. Some discuss elixirs, some talk about Daoist doctrines, and some writings are for didactic purposes. Lu Xixing of the Ming dynasty , a resident of Jiangsu province, once claimed that Lu Dongbin and other Immortals descended and bestowed on him the great way of the Golden Elixir. His True Annotation of the Three Canons ( 三藏真詮 Sanzang Zhenquan ) is a collection of planchette scripts. Some of today's planchette writings discuss the Dao, too. Some people even perform operas by planchette writing, singing and replying with the ghosts and fox spirits.
Taiwan has the most planchette altars, and Hong Kong has some. They play a didactic function among the people.
Most of the planchette writing books record its mystery, but few discuss the phenomenon academically. Xu Dishan published the book Research on the Planchette Writing Superstition ( 扶乩迷信底研究 Fuji Mixin Di Yanjiu ) in 1940s to study its origins and development. Some modern scholars regard it as a form of hypnotism. Believers, however, think that Immortals and Buddhas do effectively descend to the altars.
Different temples have different ways of performing Fu-Ji (扶乩) / Fu-Luan (扶鸾)...
Videos Of Fu-Ji (扶乩) - Chinese Planchette / Spirit Writing:
Clear Chinese Characters Shown During Fu-Ji (扶乩)
Using 2 Blushes To Receive Words Of Wisdom During Fu-Ji (扶乩)
Use Miniature Sedan Chair For Writing During Fu-Ji (扶乩)
Alternative Healing Therapy During Fu-Ji (扶乩)
Its operation requires one or two persons to hold a rack and reveal words or pictures on a prepared sand plate, and then give explanations. It is practised in the composition of Daoist scriptures and in discussing with Immortals. Common people use it for divination and relieving themselves of worries, and to help solve their problems. Fu-Ji (扶乩) is commonly practised in Daoist temples in Taiwan, Hong Kong and at some folk shrines and altars in mainland China.
Planchette writing began as a method for summoning the Lady of the Privy ( 異苑 Yiyuan ) during the Six Dynasties, and flourished in the Tang and Song dynasties.
Liu Jing Shu (刘敬叔), who lived in the Southern Song, recorded in the 'Exotic Garden', vol.5 ( 紫姑 Zigu ) that people believed in the Lady of the Privy. She was said to have been a concubine. The head wife was envious of her and so always ordered her to do the dirty jobs. She died of anger on the fifteenth day of the first month. Each year on that day, people made an idol of her and beckoned her in the washroom or beside the pigsty. If the idol got heavier, it showed that she had descended. Then people offered her juices and fruit, and the idol began to move. Then they asked her to tell them of their good or bad luck.
Summoning the Lady of the Privy was the earliest origin of planchette writing. In Liu Jingshu's records, people only used her idol and didn't practise the planchette. Summoning the Lady of the Privy by means of a planchette appeared in the Tang Dynasty and became popular in the Song. Later, the date of summoning the goddess was no longer limited to the 15th of the first month; it could be done any day.
Shen Kuo (沈括) and Su Shi (苏轼) in the Northern Song also recorded the practise of summoning the Lady of the Privy. Su Shi's descriptions deserve our special attention. He mentioned that the method of summoning her was to make her idol with wood or straw, put clothes on her body and chopsticks in her hands, and then to ask two children to hold it. The chopsticks would write and tell the Lady of the Privy's stories and answers to people's questions (cf. The Collection of Dongpo ( 東坡集 Dongpo Ji ), vol.13: Records of the Lady of the Privy ( 子姑神記 Zigu Shenji )). Zhang Shichen of the Song dynasty also recorded that when summoning the Lady of the Privy, people inserted chopsticks in a planchette and put dust on the table, so that the chopsticks could write on it. Thus by the Song Dynasty, the method of planchette writing had become established.
Fu-Ji (扶乩) has a long history in Chinese folk religion, and is first recorded during the Liu Song Dynasty (刘宋朝)(420-479 CE), found in the book Yi Yuan 《异苑》 by Liu Jing Shu (刘敬叔) - 刘宋刘敬叔《异苑》. Fu-Ji (扶乩) became popular during the Song Dynasty (宋朝)(960-1279), when authors like Shen Kuo (沈括) and Su Shi (苏轼) associated its origins with summoning Zi-Gu 紫姑 "Purple Maiden", the Spirit of the Latrine.
- 扶乩起于中国古代,最早见于刘宋刘敬叔《异苑》,时人通常在正月十五,在厕所或猪栏边迎接紫姑神,凭偶像的跳动,卜未来蚕桑。
- 宋代沈括的《梦溪笔谈》,亦有提及扶箕,當時迎廁神紫姑己是風尚,降神日期亦不只限於正月十五晚。
- 苏轼《子姑神记》
When brought into Daoism, planchette writing influenced the composition of Daoist scriptures.
It is hard to tell when planchette writing was incorporated into Daoism, but it is certain that planchette writing was applied to reveal celestial writing and to compose other Daoist scriptures. Su Shi mentioned that when he was at Huangzhou (today's Huanggang in Hubei Province), he got the seal characters of the Lady of the Privy. The style was unusual and illegible, and so was called " Celestial seal characters"; the contents of the revelation were entitled The Divine Incantation of Tian Peng ( 天蓬神咒 Tianpeng Shenzhou ). The Tian Peng incantation spread into Daoism during the Southern Dynasties. Tao Hongjing had mentioned this fact. Tian Peng was one of the Four Sagely and Perfected Sovereigns, and was very well known. This incantation is one example in which we can see how planchette writing was practised to produce Daoist secret writings (cf. The Collection of Dong Po, vol.13: Records of the Heavenly Sealed Characters ( 天篆記 Tianzhuan Ji )). In the Song Dynasty, the gods involved in planchette writing were no longer limited to the Lady of the Privy, but various kinds of gods, ghosts and immortals also started speaking through the planchette. Hong Mai of the Southern Song mentioned that Daoist gods such as the Perfect Man of Jade Emptiness, the Perfect Man of Supreme Oneness and the Perfect Man of Nanhua were summoned in planchette writing.
Immortals would descend through the planchette to educate people. Using planchette writing to write down immortals' instructions, composing Daoist books and transmitting Daoist skills thus frequently occurred in history. Lu Dongbin was very influential since the Song Dynasty both in Daoism and among common people. In the Preface to the Complete Works of Patriarch Lü by Chen Derong of the Qing dynasty, it is recorded that Patriarch Lu " made the planchette fly to educate the people; even women and children know his name." Lu Dongbin had descended to Han-san-gong altar in Jiang Xia for forty years and bestowed many scriptures. Some of them have been collected into the Complete Works of Patriarch Lü ( 呂祖全書序 Lüzu Quanshu Xu ). In fact, most of the poems and immortal scriptures in that compilation were composed through planchette writing.
There are other Daoist scriptures written by planchette writing, too. Today's Infinite Precious Repentance of Patriarch Lü ( 呂祖無極寶懺 Lüzu Wuji Baochan ) circulating in Hong Kong was also composed by planchette writing.
When planchette writing began to be practised on an altar, it was standardized and borrowed various Daoist skills, talismans, and incantations to summon the gods. A special planchette plate was adopted, with one or two persons to support its frame and write on the sand plate. There are occasions when planchette operators write directly on paper or other things. Large planchette writing altars have planchette supporters ( 扶乩者 Fujizhe ), readers ( 讀乩者 Dujizhe ) and persons to copy them down ( 抄乩者 Chaojizhe ).
Planchette writing is used to resolve doubt, to ask for cures, to discus the Dao, to write and reply to poems, and for didactics.
Originally, planchette writing was used for divination. This function was later maintained. In the past, intellectuals used it to predict their future, and even to ask for examination questions. Today, people apply planchette writing to foretell their future, their business, their journeys and their marriages. Some planchette writings discuss social problems and foretell historical changes. The Planchette Writings of Marquis Zhuge ( 諸葛武侯乩文 Zhuge Wuhou Jiwen ) has been popular in modern Hong Kong. It was composed from planchette writing in 1930s. Its believers think that many of its predictions have come true. Actually, most of these writings are vague in meaning and hard to guess. They are similar to the skills in the Back Massage Chart ( 推背圖 Tuibei Tu ) and the Songs of the Sesame Seed Cake ( 燒餅歌 Shaobing Ge ), which foretell social changes.
Another important use of planchette writing is asking for medicinal prescriptions. When common people are confronted with difficult and complicated diseases, they like to ask for the Planchette Immortal's ( 乩仙 Jixian ) help. The planchette operator would then give oral prescriptions. There are occasions when people discuss medical questions with Planchette Immortals. They then collect and compile their discussions into books. Such is the case of the Return to the Origin of Medicine ( 醫道還元 Yidao Huanyuan ) popular in Hong Kong. This book discusses common things; there isn't much illustration of medical principles and even fewer creative ideas. The planchette altars in Daoist temples have planchette writings to discuss the Dao, and even whole books of such discussions. These writings or books may differ according to different people's requirements. Some discuss elixirs, some talk about Daoist doctrines, and some writings are for didactic purposes. Lu Xixing of the Ming dynasty , a resident of Jiangsu province, once claimed that Lu Dongbin and other Immortals descended and bestowed on him the great way of the Golden Elixir. His True Annotation of the Three Canons ( 三藏真詮 Sanzang Zhenquan ) is a collection of planchette scripts. Some of today's planchette writings discuss the Dao, too. Some people even perform operas by planchette writing, singing and replying with the ghosts and fox spirits.
Taiwan has the most planchette altars, and Hong Kong has some. They play a didactic function among the people.
Most of the planchette writing books record its mystery, but few discuss the phenomenon academically. Xu Dishan published the book Research on the Planchette Writing Superstition ( 扶乩迷信底研究 Fuji Mixin Di Yanjiu ) in 1940s to study its origins and development. Some modern scholars regard it as a form of hypnotism. Believers, however, think that Immortals and Buddhas do effectively descend to the altars.
Different temples have different ways of performing Fu-Ji (扶乩) / Fu-Luan (扶鸾)...
Videos Of Fu-Ji (扶乩) - Chinese Planchette / Spirit Writing:
Clear Chinese Characters Shown During Fu-Ji (扶乩)
Using 2 Blushes To Receive Words Of Wisdom During Fu-Ji (扶乩)
Use Miniature Sedan Chair For Writing During Fu-Ji (扶乩)
Alternative Healing Therapy During Fu-Ji (扶乩)
Learn How To Hit The Villain
(打小人)
"Hit The Villain" Ritual - Da Xiao Ren (打小人) is a Chinese Folk Sorcery to curse one's enemies.
The Practice of "Hit The Villain" has been popular since Tang Dynasty Period, known as (厌诅 - Yan Zu) or (厌胜 - Yan Sheng).
In this modern society, the practice is still popular in the Guangdong area of Southern China and Hong Kong. It can also be seen in Chinese Temples in Singapore, Malaysia and South East Asia within the Chinese Communities. "Villain Hitting" Ritual on the street is often performed by older ladies. Proper "Villain Hitting" Ritual, which include protection talismans or revenge talismans, will be performed by a Taoist Master / Sorcerer.
There are two types of villains:
Specific Villain
Specific Villain is a person You know personally (or Your enemy) or can be a famous person hated by You and the general public, such as a politician.
Example:
1) Love Rival - Someone snatched away Your boyfriend / girlfriend
2) A person (Your friend or someone You know) who wronged You
"Hit The Villain" Ritual on a specific person / enemy is to make him / her extremely unlucky in his daily activities.
General Villains
General Villains are a group of people potentially harmful to You.
Examples:
1) Your competitors in business
2) Your colleagues might overtake Your promotion in Your job
3) Your colleagues who love to back-stab You or talk bad about You to the boss
"Hit The Villain" Ritual on a general group of villains is to protect Yourself from any bad evil moves that might come your way from colleagues or folks who secretly want to harm You or hope for Your downfall.
The Best Period To Perform "Hit The Villain" Ritual
The Best Of The Best Day To Perform "Hit The Villain" Ritual is on the Day of Jing-Zhe (惊蛰), also known as The Day Of White Tiger Open It's Mouth (白虎开口日).
Base on Chinese Folk Culture, Jing-Zhe (惊蛰) is the day when the insects and animals that are going through hibernation during the winter period, are awakened by the 1st thunder of Spring. As a result, all kinds of foul spirits, including Villains and the White Tiger God (白虎星君) start their activities. Therefore, at this time, You need to "Hit The Villain" to prevent it from harming You.
The word 驚蟄 has the meaning of awakening of hibernated insects. 驚 is startling, and 蟄 is hibernated (insects). The traditional Chinese farming culture said that during Jingzhe, thunderstorms will wake up the hibernated insects, which also means the weather is getting warm.
Jīngzhé (pīnyīn) or Keichitsu (rōmaji) (traditional Chinese: 驚蟄; simplified Chinese: 惊蛰; Japanese: 啓蟄; Korean: 경칩; Vietnamese: Kinh trập; literally: "awakening of insects") is the 3rd of 24 solar terms (節氣) in the traditional East Asian calendars. It begins when the Sun reaches the celestial longitude of 345° and ends when it reaches the longitude of 360°. It more often refers in particular to the day when the Sun is exactly at the celestial longitude of 345°. In the Gregorian calendar, it usually begins around March 5 or 6 and ends around March 20.
Video: Old Granny Perform "Hit The Villain" Ritual
Other Good Days (Base on Chinese Calender) To Perform "Hit The Villain" Ritual
1) Every 6th Of Lunar Month
2) Every 16th Of Lunar Month
3) Every 26th Of Lunar Month
4) On the day that states Chu Ri (除日) in Chinese Almanac
Base on Traditional Chinese Cosmology, the number "6" and Chu Ri (除日) belong to "Yin" (Negative) Number and "Yin" (Negative) Day, hence is a good day to conduct the "Get Rid Of Villains" Ritual.
Place To Conduct "Hit The Villain" Ritual
Villain hitting is to be done in gloomy and unlucky places such as under the bridges, dark street alley, cross junction roadsides, under pass and hillsides, because such places are easier to provoke the evil spirits. Cross junction roadsides provide the Evil Energy - Sha-Qi(煞气) to restraint and hurt the villain.
Usually Chinese Temples that worship White Tiger God will provide "Hit The Villain" Service.
Ritual and Offerings
The whole ceremony of villain hitting is divided into several parts:
Sacrifice to divinities (奉神):
Worship of deities by Incense and Candle.
Report (稟告):
Writing down Your name and the date of birth on the Paper Talisman ( For the person seeking help) . If You want to hit a specific villain (Your enemy), then write down the name, date of birth, and attached a photo of the specific person on the villain paper (a paper human effigy).
Villain hitting (打小人):
Make use of a varieties of symbolic object such Your shoe / slipper or other religious symbolic weapons like incense sticks to hit or hurt the villain paper.
Food Offering to White Tiger God - Bai Hu (祭白虎):
Use a white / yellow paper tiger to represent White Tiger God. If You are performing the ritual in a Chinese Temple, usually there will be White Tiger Statue or statue of tigers under the altar. During the offering, a small piece of uncooked pork meat will be put inside the mouth of the paper (or statue of the) tiger (to feed the Tiger). In some regional sacrifice, the master or the villain hitter will burn the paper tiger or cut off its head after making sacrifice to it.
Pray for blessings (祈福):
Use a red Gui Ren (贵人) paper to pray for blessings and help from Helpful Spirits - Gui Ren (贵人).
Treasure Burning (进宝):
Burn the Joss Papers to thank the gods and spirits for helping.
If With The Help Of Taoist Master / Sorcerer...
The method of "Hit The Villain" Ritual - Da Xiao Ren (打小人) are the basic method. With the help of a Taoist Master / Sorcerer, the ritual includes several deadly spells and talismans to destroy Your enemy.
The Standard Chant in Cantonese to "Hit The Villain"
打你个小人头,等你有气冇订唞;
打你只小人手,等你有钱唔识执;
打你只小人脚,等你有鞋唔识着;
打你个小人额,等你一世无发达;
打你个小人耳,等你成世无大志;
打你条小人俐,等你食嘢唔知味;
打你个小人心,等你成世苦不堪。
打你个小人头,等你有气冇顶唞,日日去撼头;
打你个小人面,等你全家中非典,成世都犯贱;
打你个小人眼,等你成世都撞版,日日被人斩;
打你个小人耳,等你日日疴烂屎,抆屎用手指;
打你个小人口,等你沟女衰口臭,冇女受你沟;
打你个小人鼻,等你唞气似闻屁,支气管麻痹;
打你个小人颈,等你周身都性病,花柳兼淋病;
打你个小人胸,等你抽筋兼中风,后门畀人通;
打你个小人手,等你有钱唔识收,成世都揸兜;
打你个小人脚,等你日日敷中药,有鞋冇脚著;
打你个小人肚,等你好心冇好报,日日畀人告。
Tips For The Chinese Folks in Singapore / Malaysia / South East Asia:
You may go to a Chinese Temple that worship Tiger God, to do "Hit The Villain" Ritual . Tiger Statue is often placed below the altar. You may do it yourself if You know how, if not pay the old lady sitting down near the Tiger Statue to perform the ritual for You.
Tips For Folks and Chinese Folks (outside South East Asia) :
If You don't know How To "Hit The Villain" , don't have Chinese Temples in Your community and can't find a Taoist Master to perform the ritual for You, You may seek help directly from Taoist Sorcery Master to perform "Hit The Villain" (Hit Your Enemy) Ritual for You to destroy Your enemy. The fee won't be cheap as a real powerful ritual will be performed to make Your enemy ( or a particular person) damn unlucky in his / her every endeavors. You need to provide Your enemy's Full Name, Date Of Birth and Photo.
Email Taoist Sorcery Master for further discussion and service fee.
Related Article:
Chinese Hell Gift Parcel Curse
Chinese 10 Halls Of Hell (十殿地狱)
The popular concept of the "Ten Halls / Courts of Hell" (十殿地狱) began after Chinese Folk Religions were influenced by Buddhism. According to Taoism documentation, the legendary hell is under the sea. The kingdom of legendary Hell has 10 palace halls. Each palace has a king.
1st Hall of Hell
King: Jiang, King Qinguang (秦广王蒋)
Birthday: 1st day of 2nd lunar month
- Believed to be Jiang Ziwen (蒋子文) of the Eastern Han Dynasty
Crime: Violating the code of filial piety
Punishment: Put under heavy slabs and boulders or squeezed in the middle of the grinder
People have the benevolent deeds with good virtue will be protected and escorted to pass the hell and be sent to the heaven or happiest world (极乐世界). People have some kind deeds and charitable work will be sent to 10th palace of the hell and wait for rebirth.
People with evil behaviors will bring up the stage. There is a Sin mirror with 50-feet width and 10-feet height on the stage. In the front the Sin Mirror, people can see all bad deeds they did in the human world. After seeing the guilty behaviors the previous life, people will be sent to the second hall of the hell and wait for the punishment.
第一殿,秦广王蒋,二月初一日诞辰,专司人间夭寿生死,统管幽冥吉凶、善人寿终,接引超升;功过两半者,送交第十殿发放,仍投入世间,男转为女,女转为男。恶多善少者,押赴殿右高台,名曰孽镜台,令之一望,照见在世之心好坏,随即批解第二殿,发狱受苦。
2nd Hall of Hell - Ice Cold Hell (寒冰地狱)
King: Li, King Chujiang (楚江王历)
Birthday: 1st day of 3rd lunar month
Crime: Gossiping, Stealing, Wickedness
Punishment: Having your tongue pierced, Made to kneel on steel granules, Boiled in a cauldron, disemboweled, and put in a volcanic chamber
第二殿,楚江王历,三月初一日诞辰,司掌活大地狱,又名剥衣亭寒冰地狱,另设十六小狱,凡在阳间伤人肢体、奸盗杀生者,推入此狱,另发入到十六小狱受苦,满期转解第三殿,加刑发狱。
3rd Hall of Hell - Black Rope Hell (黑繩大地狱)
King: Yu, King Songdi (宋帝王余)
Birthday: 8th day of 2nd lunar month
Crime : Corruption and greed, Disobedience and disrespect to elders, Violating and state a Confucian principles or being an unjust official
Punishment : Handcuffed and beaten, Have your ribs pierced, body grilled, your lungs, heart, liver, intestines and eyes torn out, Have your heart removed, knees crushed and face scraped by a mental instrument
第三殿,宋帝王余,二月初八诞辰,司掌黑绳大地狱,另设十六小狱,凡阳世忤逆尊长,教唆兴讼者,推入此狱,受倒吊、挖眼、刮骨之刑,刑满转解第四殿。
4th Hall of Hell - Blood Pool Hell (血池地狱)
King: Lü, King Wuguan (五官王呂)
Birthday: 18th day of 2nd lunar month
Crime : General Sins, Cheating or evading income taxes, Stealing, Breaking promises
Punishment : Hurled into a torrential river, made to kneel on bamboo spikes, boiled in oil, head struck open,
Drowned under a heavy stone ,Have your hands swan off, have your lips split
第四殿,五官王吕,二月十八日诞辰,司掌合大地狱,又名剥剹血池地狱,另设十六小地狱,凡世人抗粮赖租,交易欺诈者,推入此狱,另再判以小狱受苦,满日送解第五殿察核。
5th Hall of Hell - Wailing Hell (叫唤地狱)
King: Bao, King Yanluo (阎罗王包)
Birthday: 8th day of 1st lunar month
- Believed to be Bao Zheng (包拯) of the Northern Song Dynasty
Crime : Cruelty to animals and friends
Punishment : Have your heart torn out with hooks or thrown onto protruding swords
第五殿,阎罗天子包,正月初八日诞辰,前本居第一殿,因怜屈死,屡放还阳伸雪,降调此殿。司掌叫唤大地狱,并十六诛心小狱。凡解到此殿者,押赴望乡台,令之闻见世上本家,因罪遭殃各事,随即推入此狱,细查曾犯何恶,再发入诛心十六小狱,钩出其心,掷与蛇食,铡其身首(包公即善于用铡刀),受苦满日,另发别殿。
6th Hall of Hell - Grand Wailing Hell (大叫唤大地狱) and City of Innocent Deaths (枉死城)
King: Bi, King Biancheng (卞城王毕)
Birthday: 8th day of 3rd lunar month
Crime : Stealing from temples, Committing blasphemy , Killing animals
Punishment : Made to kneel on iron nails, swanned in two, gnawed by rats,Have your body chopped in half
第六殿,卞城王毕,三月初八日诞辰,司掌大叫唤大地狱,及枉死城,另设十六小狱。忤逆不孝者,被两小鬼用锯分尸。凡世人怨天尤地,对北溺便涕泣者,发入此狱。查所犯事件,亦要受到铁锥打、火烧舌之刑罚。再发小狱受苦,满日转解第七殿,再查有无别恶。
7th Hall of Hell - Noisy Hell (热恼地狱) ,also known as Human Flesh Jam Hell (碓磨肉酱地狱)
King: Dong, King Taishan (泰山王董)
Birthday: 27th day of 3rd lunar month
- Believed to be Dong Ji (董极) of the Later Han Dynasty
Crime : Rebelling against authorities , Spreading false rumors , Using drugs, causing quarrels
Punishment : Torn apart by dogs, Have your tongue pulled out , Thrown into a pot of boiling water
第七殿,泰山王董,三月二十七日诞辰,司掌热恼地狱,又名碓磨肉酱地狱,另设十六小狱。凡阳世取骸合药、离人至戚者,发入此狱。再发小狱。受苦满日,转解第八殿,收狱查治。又,凡盗窃、诬告、敲诈、谋财害命者,均将遭受下油锅之刑罚。
8th Hall of Hell - Grand Noisy Hell (大热大恼大地狱), also known as the Suffocation Hell 恼闷锅地狱)
King: King Dushi (都市王黃)
Birthday: 1st day of 4th lunar month
-Believed to be Huang Sile (黃思樂) of the Five Dynasties period
Crime : Committing crimes against Confucianism and operating houses for immoral purposes
Punishment : Crushed under carriage wheels, sliced, disemboweled, struck by lighting, and having tongues, arms and legs cut off
第八殿,都市王黄,四月初一日诞辰,司掌大热大恼大地狱,又名恼闷锅地狱,另设十六小狱。凡在世不孝,使父母翁姑愁闷烦恼者,掷入此狱。再交各小狱加刑,受尽痛苦,解交第十殿,改头换面,永为畜类。
9th Hall of Hell - Avici Hell (阿鼻地狱)
King: Lu, King Pingdeng (平等王陆)
Birthday: 8th day of 4th lunar month
Crime : Smuggling, committing arson , Writing or painting erotic literature or scenes
Punishment :Attacked by snakes, stung by bees, tortured or trafficking drugs in boiling oil
Flattened between two planks, have your head crushed in an iron ring, skull steamed, bones scraped and tendons pulled out
第九殿,平等王陆,四月初八日诞辰,司掌丰都城铁网阿鼻地狱,另设十六小狱。凡阳世杀人放火、斩绞正法者,解到本殿,用空心铜桩,链其手足相抱,煽火焚烧,烫烬心肝,随发阿鼻地狱受刑。直到被害者个个投生,方准提出,解交第十殿发生六道(天道、人道、地道、阿修罗道、地狱道、畜生道)。
10th Hall of Hell
King: Xue, King Zhuanlun (转轮王薛)
Birthday: 17th day of 4th lunar month
King Zhuanlun (转轮王薛) passes his final judgment and the sinner goes through one of the seven-ways in the Wheel of Reincarnation. Shaped like a wheel, wind and clouds billow out from the circle in the centre and the six other circles surrounding it. Depending on the sinner's past life, he will enter a particular way which will determine how he or she will be reborn. The rebirth of souls might become saints, human, spirits, animal, ghost or staying in the Hell.
When the reincarnation is decided, the sinner is usually shown with his future reincarnation (for example, the kind of animal), on his back. The sinner is then brought to a 'Pavilion of Forgetfulness' or 'Hell of Oblivion' where an old lady - MENG PO (孟婆) hands him a cup of magic tea that when drunk, make him forget his past life. He is then directed across one of the six bridges leading to 18,000 roads, each of which leads to some part of the world and to his particular form of reincarnation.
第十殿,转轮王薛,四月十七日诞辰,专司各殿解到鬼魂,分别善恶,核定等级,发四大部州投生。男女寿夭,富贵贫贱,逐名详细开载,每月汇知第一殿注册。凡有作孽极恶之鬼,着令更变卵胎湿化,朝生暮死,罪满之后,再复人生,投胎蛮夷之地。凡发往投生者,先令押交孟婆神,酴忘台下,灌饮迷汤,使忘前生之事。
Miscellaneous Information of the Kings
Initially, Yen Lo Wang (閻羅王包) was in charge of the 1st Hall of Hell. However, he had send those who died of injustices to clear up their false charge back into the mortal world too many times that in the end he was sent to the 5th hall of hell.
Worshiping
After the Ming and Qing Dynasties, the story of the Yamas Of The Ten Halls Of Hell (十殿阎王) became so popular that it came to replace Daoism's Great Emperor Dongyue (东岳大帝 - Dong Yue Da Di), acting as the controller of a man's life.
In folk culture, however, there were rarely temples dedicated to the Yamas of the Ten Halls except for some in Fengdu (丰都), Sichuan province. Usually, worship of the Yamas of the Ten Halls (十殿阎王) took place in the City God Temple ( 城隍廟 Chenghuang Miao).
On their birthdays, there were small-scale worshipping services. The main worship for the Yamas of the Ten Halls (十殿阎王) occured during ritual offerings for the dead. The kings of the different halls were petitioned to release the souls of the dead and send them to heaven quickly.
1st Hall of Hell
King: Jiang, King Qinguang (秦广王蒋)
Birthday: 1st day of 2nd lunar month
- Believed to be Jiang Ziwen (蒋子文) of the Eastern Han Dynasty
Crime: Violating the code of filial piety
Punishment: Put under heavy slabs and boulders or squeezed in the middle of the grinder
People have the benevolent deeds with good virtue will be protected and escorted to pass the hell and be sent to the heaven or happiest world (极乐世界). People have some kind deeds and charitable work will be sent to 10th palace of the hell and wait for rebirth.
People with evil behaviors will bring up the stage. There is a Sin mirror with 50-feet width and 10-feet height on the stage. In the front the Sin Mirror, people can see all bad deeds they did in the human world. After seeing the guilty behaviors the previous life, people will be sent to the second hall of the hell and wait for the punishment.
第一殿,秦广王蒋,二月初一日诞辰,专司人间夭寿生死,统管幽冥吉凶、善人寿终,接引超升;功过两半者,送交第十殿发放,仍投入世间,男转为女,女转为男。恶多善少者,押赴殿右高台,名曰孽镜台,令之一望,照见在世之心好坏,随即批解第二殿,发狱受苦。
2nd Hall of Hell - Ice Cold Hell (寒冰地狱)
King: Li, King Chujiang (楚江王历)
Birthday: 1st day of 3rd lunar month
Crime: Gossiping, Stealing, Wickedness
Punishment: Having your tongue pierced, Made to kneel on steel granules, Boiled in a cauldron, disemboweled, and put in a volcanic chamber
第二殿,楚江王历,三月初一日诞辰,司掌活大地狱,又名剥衣亭寒冰地狱,另设十六小狱,凡在阳间伤人肢体、奸盗杀生者,推入此狱,另发入到十六小狱受苦,满期转解第三殿,加刑发狱。
3rd Hall of Hell - Black Rope Hell (黑繩大地狱)
King: Yu, King Songdi (宋帝王余)
Birthday: 8th day of 2nd lunar month
Crime : Corruption and greed, Disobedience and disrespect to elders, Violating and state a Confucian principles or being an unjust official
Punishment : Handcuffed and beaten, Have your ribs pierced, body grilled, your lungs, heart, liver, intestines and eyes torn out, Have your heart removed, knees crushed and face scraped by a mental instrument
第三殿,宋帝王余,二月初八诞辰,司掌黑绳大地狱,另设十六小狱,凡阳世忤逆尊长,教唆兴讼者,推入此狱,受倒吊、挖眼、刮骨之刑,刑满转解第四殿。
4th Hall of Hell - Blood Pool Hell (血池地狱)
King: Lü, King Wuguan (五官王呂)
Birthday: 18th day of 2nd lunar month
Crime : General Sins, Cheating or evading income taxes, Stealing, Breaking promises
Punishment : Hurled into a torrential river, made to kneel on bamboo spikes, boiled in oil, head struck open,
Drowned under a heavy stone ,Have your hands swan off, have your lips split
第四殿,五官王吕,二月十八日诞辰,司掌合大地狱,又名剥剹血池地狱,另设十六小地狱,凡世人抗粮赖租,交易欺诈者,推入此狱,另再判以小狱受苦,满日送解第五殿察核。
5th Hall of Hell - Wailing Hell (叫唤地狱)
King: Bao, King Yanluo (阎罗王包)
Birthday: 8th day of 1st lunar month
- Believed to be Bao Zheng (包拯) of the Northern Song Dynasty
Crime : Cruelty to animals and friends
Punishment : Have your heart torn out with hooks or thrown onto protruding swords
第五殿,阎罗天子包,正月初八日诞辰,前本居第一殿,因怜屈死,屡放还阳伸雪,降调此殿。司掌叫唤大地狱,并十六诛心小狱。凡解到此殿者,押赴望乡台,令之闻见世上本家,因罪遭殃各事,随即推入此狱,细查曾犯何恶,再发入诛心十六小狱,钩出其心,掷与蛇食,铡其身首(包公即善于用铡刀),受苦满日,另发别殿。
6th Hall of Hell - Grand Wailing Hell (大叫唤大地狱) and City of Innocent Deaths (枉死城)
King: Bi, King Biancheng (卞城王毕)
Birthday: 8th day of 3rd lunar month
Crime : Stealing from temples, Committing blasphemy , Killing animals
Punishment : Made to kneel on iron nails, swanned in two, gnawed by rats,Have your body chopped in half
第六殿,卞城王毕,三月初八日诞辰,司掌大叫唤大地狱,及枉死城,另设十六小狱。忤逆不孝者,被两小鬼用锯分尸。凡世人怨天尤地,对北溺便涕泣者,发入此狱。查所犯事件,亦要受到铁锥打、火烧舌之刑罚。再发小狱受苦,满日转解第七殿,再查有无别恶。
7th Hall of Hell - Noisy Hell (热恼地狱) ,also known as Human Flesh Jam Hell (碓磨肉酱地狱)
King: Dong, King Taishan (泰山王董)
Birthday: 27th day of 3rd lunar month
- Believed to be Dong Ji (董极) of the Later Han Dynasty
Crime : Rebelling against authorities , Spreading false rumors , Using drugs, causing quarrels
Punishment : Torn apart by dogs, Have your tongue pulled out , Thrown into a pot of boiling water
第七殿,泰山王董,三月二十七日诞辰,司掌热恼地狱,又名碓磨肉酱地狱,另设十六小狱。凡阳世取骸合药、离人至戚者,发入此狱。再发小狱。受苦满日,转解第八殿,收狱查治。又,凡盗窃、诬告、敲诈、谋财害命者,均将遭受下油锅之刑罚。
8th Hall of Hell - Grand Noisy Hell (大热大恼大地狱), also known as the Suffocation Hell 恼闷锅地狱)
King: King Dushi (都市王黃)
Birthday: 1st day of 4th lunar month
-Believed to be Huang Sile (黃思樂) of the Five Dynasties period
Crime : Committing crimes against Confucianism and operating houses for immoral purposes
Punishment : Crushed under carriage wheels, sliced, disemboweled, struck by lighting, and having tongues, arms and legs cut off
第八殿,都市王黄,四月初一日诞辰,司掌大热大恼大地狱,又名恼闷锅地狱,另设十六小狱。凡在世不孝,使父母翁姑愁闷烦恼者,掷入此狱。再交各小狱加刑,受尽痛苦,解交第十殿,改头换面,永为畜类。
9th Hall of Hell - Avici Hell (阿鼻地狱)
King: Lu, King Pingdeng (平等王陆)
Birthday: 8th day of 4th lunar month
Crime : Smuggling, committing arson , Writing or painting erotic literature or scenes
Punishment :Attacked by snakes, stung by bees, tortured or trafficking drugs in boiling oil
Flattened between two planks, have your head crushed in an iron ring, skull steamed, bones scraped and tendons pulled out
第九殿,平等王陆,四月初八日诞辰,司掌丰都城铁网阿鼻地狱,另设十六小狱。凡阳世杀人放火、斩绞正法者,解到本殿,用空心铜桩,链其手足相抱,煽火焚烧,烫烬心肝,随发阿鼻地狱受刑。直到被害者个个投生,方准提出,解交第十殿发生六道(天道、人道、地道、阿修罗道、地狱道、畜生道)。
10th Hall of Hell
King: Xue, King Zhuanlun (转轮王薛)
Birthday: 17th day of 4th lunar month
King Zhuanlun (转轮王薛) passes his final judgment and the sinner goes through one of the seven-ways in the Wheel of Reincarnation. Shaped like a wheel, wind and clouds billow out from the circle in the centre and the six other circles surrounding it. Depending on the sinner's past life, he will enter a particular way which will determine how he or she will be reborn. The rebirth of souls might become saints, human, spirits, animal, ghost or staying in the Hell.
When the reincarnation is decided, the sinner is usually shown with his future reincarnation (for example, the kind of animal), on his back. The sinner is then brought to a 'Pavilion of Forgetfulness' or 'Hell of Oblivion' where an old lady - MENG PO (孟婆) hands him a cup of magic tea that when drunk, make him forget his past life. He is then directed across one of the six bridges leading to 18,000 roads, each of which leads to some part of the world and to his particular form of reincarnation.
第十殿,转轮王薛,四月十七日诞辰,专司各殿解到鬼魂,分别善恶,核定等级,发四大部州投生。男女寿夭,富贵贫贱,逐名详细开载,每月汇知第一殿注册。凡有作孽极恶之鬼,着令更变卵胎湿化,朝生暮死,罪满之后,再复人生,投胎蛮夷之地。凡发往投生者,先令押交孟婆神,酴忘台下,灌饮迷汤,使忘前生之事。
Miscellaneous Information of the Kings
Initially, Yen Lo Wang (閻羅王包) was in charge of the 1st Hall of Hell. However, he had send those who died of injustices to clear up their false charge back into the mortal world too many times that in the end he was sent to the 5th hall of hell.
Worshiping
After the Ming and Qing Dynasties, the story of the Yamas Of The Ten Halls Of Hell (十殿阎王) became so popular that it came to replace Daoism's Great Emperor Dongyue (东岳大帝 - Dong Yue Da Di), acting as the controller of a man's life.
In folk culture, however, there were rarely temples dedicated to the Yamas of the Ten Halls except for some in Fengdu (丰都), Sichuan province. Usually, worship of the Yamas of the Ten Halls (十殿阎王) took place in the City God Temple ( 城隍廟 Chenghuang Miao).
On their birthdays, there were small-scale worshipping services. The main worship for the Yamas of the Ten Halls (十殿阎王) occured during ritual offerings for the dead. The kings of the different halls were petitioned to release the souls of the dead and send them to heaven quickly.
36 Heavens Of Taoism
Base on the Taoist Scripture - Yun Ji Qi Qian (云笈七签) - The Seven Slips of a Cloudy Satchel, Volume 21 - Ministry Of Heaven and Earth (卷二十一“天地部”), There are altogether 36 levels of Heavens.
The Taoist Heavens are Divided into Ten Directions (十方世界).
The Thirty-Two Heavens arising out from the Great Matrix (元纲 - Yuan Gang) are located in the four cardinal directions, with eight heavens per cardinal direction.
To these four directions can further be added Northeast, Southeast, Southwest and Northwest, as well as above and below. In addition to these Thirty-Two Heavens, there are also four other Heavens. All of these Heavens are distributed among the Eight Directions, as well as above and below, for a total of ten directions (十方世界).
List of the Thirty-Six Heavens Of Taoism
The Original Matrix of the Great Tao gave birth to Thirty-Two Heavens. These Heavens are subject to calamities , Live & Death and universal cycles (Kalpas); they therefore undergo birth and death. The other four Heavens are not subject to Kalpas: they include the Three Pure Heavens (三清界 - San Qing) , and the Great Overarching Heaven (大罗天 - Da Luo Tian). In total, there are Thirty-Six Heavens.
The Thirty-Two Heavens:
The Eight Heavens of the East
1) 太皇黄曾天 - Tai Huang Huang Ceng Heaven
2) 太明玉完天 - Tai Ming Yu Wan Heaven
3) 清明何童天 - Qing Ming He Tong Heaven
4) 玄胎平育天 - Xuan Tai Ping Yu Heaven
5) 元明文举天 - Yuan Ming Wen Ju Heaven
6) 七曜摩夷天 - Qi Yao Mo Yi Heaven
The above 6 Heavens belong to the Realms Of Desire (欲界) - Realms Of Secular Life (現世界 - Xian Shi Jie). In this Realm, there is visible form and desire, men and women have intercourse, and give birth to descendants.
7) 虚无越衡天 - Xu Wu Yue Heng Heaven
8) 太极蒙翳天 - Tai Ji Meng Yi Heaven
The Eight Heavens of the South
9) 赤明和阳天 - Ci Ming He Yang Heaven
10) 玄明恭华天 - Xuan Ming Gong Hua Heaven
11) 耀明宗飘天 - Yao Ming Zhong Piao Heaven
12) 竺落皇笳天 - Zhu Luo Huang Jia Heaven
13) 虚明堂曜天 - Xu Ming Tang Liao Heaven
14) 观明端靖天 - Guan Ming Duan Jing Heaven
15) 玄明恭庆天 - Xuan Ming Gong Qing Heaven
16) 太焕极瑶天 - Tai Huan Ji Yao Heaven
The Eight Heavens of the West
17) 元载孔升天 - Yuan Zai Kong Shen Heaven
18) 太安皇崖天 - Tai An Wang Ya Heaven
19) 显定极风天 - Xian Ding Ji Feng Heaven
20) 始黄孝芒天 - Si Huang Xiao Mang Heaven
21) 翁重浮容天 - Weng Chong Fu Rong Heaven
22) 无思江由天 - Wu Si Jiang You Heaven
23) 上揲阮乐天 - Shang She Ruan Le Heaven
24) 无极昙誓天 - Wu Ji Tan Shi Heaven
The above 18 Heavens (虚无越衡天 - Xu Wu Yue Heng Heaven TO 无极昙誓天 - Wu Ji Tan Shi Heaven) belong to The Realms Of Form (色界 - Se Jie) - Realms Of Tai-Ji (太极界 - Tai Ji Jie). In this Realm there is form but no desire; there is no sexual intercourse and people are directly born out of Vital Breath.
The Eight Heavens of the North
25) 皓庭霄度天 - Hao Ting Xiao Du Heaven
26) 渊通元洞天 - Yuan Tong Yuan Dong Heaven
27) 翰宠妙成天 - Han Chong Miao Cheng Heaven
28) 秀乐禁上天 - Xiu Le Jing Shang Heaven
The above 4 Heavens (皓庭霄度天 - Hao Ting Xiao Du Heaven TO 秀乐禁上天 - Xiu Le Jing Shang Heaven) belong to The Realms of Formlessness (无色界 - Wu Se Jie) - Realms Of Wu-Ji (无级界 - Tai Ji Jie) . In this Realm there is neither desire nor form; common people cannot see the people in this Realm, it can be seen only by Perfect Men, Immortals.
The Realms Of Desire, Realms Of Form and Realms Of Formlessness, are collectively known as The Three Realms (三界).
29) 无上常融天 - Wu Shang Chang Rong Heaven
30) 玉隆腾胜天 - Yu Long Teng Sheng Heaven
31) 龙变梵度天 - Long Bian Fan Du Heaven
32) 平育贾奕天 - Ping Yu Jia Yi Heaven
The higher 4 Realms of Formlessness are known as Si Min Zhi Tian (四民之天) / Shi Fan Tian (四梵天).
The Heavens of the Three Pure Ones (三清 - San Qing):
33) 太清境大赤天 - Tai Qing Jing Da Chi Heaven
- Heaven of Supreme Clarity (Tai Qing Heaven)
- Dao De Tian Zun (道德天尊) - Tai Shang Lao Jun (太上老君) resides here
34) 上清境禹余天 - Shang Qing Jing Yu Yu Heaven
- Heaven of Highest Clarity (Shang Qing Heaven)
- Ling Bao Tian Zun (灵宝天尊) resides here
35) 玉清境清微天 - Yu Qing Jing Qing Wei Heaven
- Heaven of Jade Clarity (Yu Qing Heaven)
- Yuan Shi Tian Zun (元始天尊) resides here
The Highest Level Of Heaven
36) 大罗天 - Da Luo Heaven - The Great Overarching Heaven
The 4 Highest Realms together are known as Sheng Jing Si Tian (圣境四天).
Thirty-five of the Thirty-Six Heavens are part of the Great Overarching Heaven (大罗天). The Great Overarching Heaven (大罗天) is infinite, while other heavens are all finite. It is the highest heaven, transcends all the other heavens, and has no limits. In space, the universe is infinite.
The Three Realms (三界) and outside
The Thirty-Six Heavens are divided into Three Realms (三界). The Three Realms are the Realm of Desire, the Realm of Form, and the Realm of Formlessness.
Altogether 28 heavens are included in the Three Realms (三界) . They are subject to Calamities and Kalpas (Universal Cycles). Those who are born in or enter these heavens do not escape from Reincarnation and Karma.
Outside of the Three Realms are a further eight heavens. Those who Cultivate Dao and leap out of the Three Realms can escape from Kalpas, Karma, and Reincarnation.
The Three Realms are the Realm of Desire, the Realm of Form, and the Realm of Formlessness
The Realms of Desire contains Six Heavens, from the Tai Huang Huang Ceng Heaven (太皇黄曾天) to the Qi Yao Mo Yi Heaven (七曜摩夷天). In this Realm, there is visible form and desire, men and women have intercourse, and give birth to descendants.
The Realms of Form includes Eighteen Heavens, from the Xu Wu Yue Heng Heaven (虚无越衡天) to the Wu Ji Tan Shi Heaven (无极昙誓天). In this Realm there is form but no desire; there is no sexual intercourse and people are directly born out of Vital Breath.
The Realms of Formlessness is made up of four Heavens, from the Hao Ting Xiao Du Heaven (皓庭霄度天) to the Xiu Le Zhi Shang Heaven (秀乐禁上天). In this Realm there is neither desire nor form; common people cannot see the people in this Realm, it can be seen only by Perfect Men, Immortals.
Outside of the Three Realms, the heavens can be divided into several levels including the Four Pure Heavens, the Three Pure Heavens (三清 - San Qing) and the Great Overarching Heaven (大罗天 - Da Luo Tian).
The Four Pure Heavens are also called the Four Heavens of the Seed People, from the Wu Shang Chang Rong Heaven (无上常融天) to the Ping Yu Jia Yi Heaven (平育贾奕天). They are called the Four Heavens of the Seed People (种民 - Zhong Min) because those who enter this realm have already escaped from the cycle of reincarnations; at the time of a Kalpa, they do not die but become the seeds of the people of the next Kalpa.
The Three Pure Heavens (三清 - San Qing) are also called the Three Pure/Pristine Realms (三清境 - San Qing Jing) , and are governed by the Supreme Venerable Sovereign (太上老君 - Tai Shang Lao Jun). The Great Overarching Heaven (大罗天 - Da Luo Heaven) is above all other Heavens and en-globes the entire universe. It is infinite, and contains the Jade Capital Mountain(玉京山 Yujing Shan) where the Primeval Lord of Heaven (原始天尊 - Yuan Shi Tian Zun) - ( 太上老君 Tai Shang Lao Jun) resides.
Outside of the Three Realms, everything is pure Vital Breath of Dao. All is formless and invisible; it is the abode of the Immortals (神仙 - Shen Xian). When they unite together they become forms; when they disperse they become Vital Breath; self-dependent, they wander about unfettered. In the Great Overarching Heaven, all is Pure Vital Breath (道氣 - Dao Qi). The Highest level of Cultivation of Immortality is the level of the Golden Immortality (金仙 - Jin Xian) of the Great Overarching Heaven (大罗天 - Da Luo Tian).
Note that the San Qing(三清) - San Qing - Three Pure Ones), which consist the Yuan Shi Tian Zun (元始天尊), Ling Bao Tian Zun (灵宝天尊) and Dao De Tian Zun (道德天尊) - Tai Shang Lao Jun (太上老君), are the highest divine in Taoism, and they are the Great Tao in divine forms.
The Taoist Heavens are Divided into Ten Directions (十方世界).
The Thirty-Two Heavens arising out from the Great Matrix (元纲 - Yuan Gang) are located in the four cardinal directions, with eight heavens per cardinal direction.
To these four directions can further be added Northeast, Southeast, Southwest and Northwest, as well as above and below. In addition to these Thirty-Two Heavens, there are also four other Heavens. All of these Heavens are distributed among the Eight Directions, as well as above and below, for a total of ten directions (十方世界).
List of the Thirty-Six Heavens Of Taoism
The Original Matrix of the Great Tao gave birth to Thirty-Two Heavens. These Heavens are subject to calamities , Live & Death and universal cycles (Kalpas); they therefore undergo birth and death. The other four Heavens are not subject to Kalpas: they include the Three Pure Heavens (三清界 - San Qing) , and the Great Overarching Heaven (大罗天 - Da Luo Tian). In total, there are Thirty-Six Heavens.
The Thirty-Two Heavens:
The Eight Heavens of the East
1) 太皇黄曾天 - Tai Huang Huang Ceng Heaven
2) 太明玉完天 - Tai Ming Yu Wan Heaven
3) 清明何童天 - Qing Ming He Tong Heaven
4) 玄胎平育天 - Xuan Tai Ping Yu Heaven
5) 元明文举天 - Yuan Ming Wen Ju Heaven
6) 七曜摩夷天 - Qi Yao Mo Yi Heaven
The above 6 Heavens belong to the Realms Of Desire (欲界) - Realms Of Secular Life (現世界 - Xian Shi Jie). In this Realm, there is visible form and desire, men and women have intercourse, and give birth to descendants.
7) 虚无越衡天 - Xu Wu Yue Heng Heaven
8) 太极蒙翳天 - Tai Ji Meng Yi Heaven
The Eight Heavens of the South
9) 赤明和阳天 - Ci Ming He Yang Heaven
10) 玄明恭华天 - Xuan Ming Gong Hua Heaven
11) 耀明宗飘天 - Yao Ming Zhong Piao Heaven
12) 竺落皇笳天 - Zhu Luo Huang Jia Heaven
13) 虚明堂曜天 - Xu Ming Tang Liao Heaven
14) 观明端靖天 - Guan Ming Duan Jing Heaven
15) 玄明恭庆天 - Xuan Ming Gong Qing Heaven
16) 太焕极瑶天 - Tai Huan Ji Yao Heaven
The Eight Heavens of the West
17) 元载孔升天 - Yuan Zai Kong Shen Heaven
18) 太安皇崖天 - Tai An Wang Ya Heaven
19) 显定极风天 - Xian Ding Ji Feng Heaven
20) 始黄孝芒天 - Si Huang Xiao Mang Heaven
21) 翁重浮容天 - Weng Chong Fu Rong Heaven
22) 无思江由天 - Wu Si Jiang You Heaven
23) 上揲阮乐天 - Shang She Ruan Le Heaven
24) 无极昙誓天 - Wu Ji Tan Shi Heaven
The above 18 Heavens (虚无越衡天 - Xu Wu Yue Heng Heaven TO 无极昙誓天 - Wu Ji Tan Shi Heaven) belong to The Realms Of Form (色界 - Se Jie) - Realms Of Tai-Ji (太极界 - Tai Ji Jie). In this Realm there is form but no desire; there is no sexual intercourse and people are directly born out of Vital Breath.
The Eight Heavens of the North
25) 皓庭霄度天 - Hao Ting Xiao Du Heaven
26) 渊通元洞天 - Yuan Tong Yuan Dong Heaven
27) 翰宠妙成天 - Han Chong Miao Cheng Heaven
28) 秀乐禁上天 - Xiu Le Jing Shang Heaven
The above 4 Heavens (皓庭霄度天 - Hao Ting Xiao Du Heaven TO 秀乐禁上天 - Xiu Le Jing Shang Heaven) belong to The Realms of Formlessness (无色界 - Wu Se Jie) - Realms Of Wu-Ji (无级界 - Tai Ji Jie) . In this Realm there is neither desire nor form; common people cannot see the people in this Realm, it can be seen only by Perfect Men, Immortals.
The Realms Of Desire, Realms Of Form and Realms Of Formlessness, are collectively known as The Three Realms (三界).
29) 无上常融天 - Wu Shang Chang Rong Heaven
30) 玉隆腾胜天 - Yu Long Teng Sheng Heaven
31) 龙变梵度天 - Long Bian Fan Du Heaven
32) 平育贾奕天 - Ping Yu Jia Yi Heaven
The higher 4 Realms of Formlessness are known as Si Min Zhi Tian (四民之天) / Shi Fan Tian (四梵天).
The Heavens of the Three Pure Ones (三清 - San Qing):
33) 太清境大赤天 - Tai Qing Jing Da Chi Heaven
- Heaven of Supreme Clarity (Tai Qing Heaven)
- Dao De Tian Zun (道德天尊) - Tai Shang Lao Jun (太上老君) resides here
34) 上清境禹余天 - Shang Qing Jing Yu Yu Heaven
- Heaven of Highest Clarity (Shang Qing Heaven)
- Ling Bao Tian Zun (灵宝天尊) resides here
35) 玉清境清微天 - Yu Qing Jing Qing Wei Heaven
- Heaven of Jade Clarity (Yu Qing Heaven)
- Yuan Shi Tian Zun (元始天尊) resides here
The Highest Level Of Heaven
36) 大罗天 - Da Luo Heaven - The Great Overarching Heaven
The 4 Highest Realms together are known as Sheng Jing Si Tian (圣境四天).
Thirty-five of the Thirty-Six Heavens are part of the Great Overarching Heaven (大罗天). The Great Overarching Heaven (大罗天) is infinite, while other heavens are all finite. It is the highest heaven, transcends all the other heavens, and has no limits. In space, the universe is infinite.
The Three Realms (三界) and outside
The Thirty-Six Heavens are divided into Three Realms (三界). The Three Realms are the Realm of Desire, the Realm of Form, and the Realm of Formlessness.
Altogether 28 heavens are included in the Three Realms (三界) . They are subject to Calamities and Kalpas (Universal Cycles). Those who are born in or enter these heavens do not escape from Reincarnation and Karma.
Outside of the Three Realms are a further eight heavens. Those who Cultivate Dao and leap out of the Three Realms can escape from Kalpas, Karma, and Reincarnation.
The Three Realms are the Realm of Desire, the Realm of Form, and the Realm of Formlessness
The Realms of Desire contains Six Heavens, from the Tai Huang Huang Ceng Heaven (太皇黄曾天) to the Qi Yao Mo Yi Heaven (七曜摩夷天). In this Realm, there is visible form and desire, men and women have intercourse, and give birth to descendants.
The Realms of Form includes Eighteen Heavens, from the Xu Wu Yue Heng Heaven (虚无越衡天) to the Wu Ji Tan Shi Heaven (无极昙誓天). In this Realm there is form but no desire; there is no sexual intercourse and people are directly born out of Vital Breath.
The Realms of Formlessness is made up of four Heavens, from the Hao Ting Xiao Du Heaven (皓庭霄度天) to the Xiu Le Zhi Shang Heaven (秀乐禁上天). In this Realm there is neither desire nor form; common people cannot see the people in this Realm, it can be seen only by Perfect Men, Immortals.
Outside of the Three Realms, the heavens can be divided into several levels including the Four Pure Heavens, the Three Pure Heavens (三清 - San Qing) and the Great Overarching Heaven (大罗天 - Da Luo Tian).
The Four Pure Heavens are also called the Four Heavens of the Seed People, from the Wu Shang Chang Rong Heaven (无上常融天) to the Ping Yu Jia Yi Heaven (平育贾奕天). They are called the Four Heavens of the Seed People (种民 - Zhong Min) because those who enter this realm have already escaped from the cycle of reincarnations; at the time of a Kalpa, they do not die but become the seeds of the people of the next Kalpa.
The Three Pure Heavens (三清 - San Qing) are also called the Three Pure/Pristine Realms (三清境 - San Qing Jing) , and are governed by the Supreme Venerable Sovereign (太上老君 - Tai Shang Lao Jun). The Great Overarching Heaven (大罗天 - Da Luo Heaven) is above all other Heavens and en-globes the entire universe. It is infinite, and contains the Jade Capital Mountain(玉京山 Yujing Shan) where the Primeval Lord of Heaven (原始天尊 - Yuan Shi Tian Zun) - ( 太上老君 Tai Shang Lao Jun) resides.
Outside of the Three Realms, everything is pure Vital Breath of Dao. All is formless and invisible; it is the abode of the Immortals (神仙 - Shen Xian). When they unite together they become forms; when they disperse they become Vital Breath; self-dependent, they wander about unfettered. In the Great Overarching Heaven, all is Pure Vital Breath (道氣 - Dao Qi). The Highest level of Cultivation of Immortality is the level of the Golden Immortality (金仙 - Jin Xian) of the Great Overarching Heaven (大罗天 - Da Luo Tian).
Note that the San Qing(三清) - San Qing - Three Pure Ones), which consist the Yuan Shi Tian Zun (元始天尊), Ling Bao Tian Zun (灵宝天尊) and Dao De Tian Zun (道德天尊) - Tai Shang Lao Jun (太上老君), are the highest divine in Taoism, and they are the Great Tao in divine forms.
How Taoist Master / Sorcerer Creates Genuine & Powerful Taoist Talismans
Many folks have seen how Taoist Talismans look like. You have also noticed some Taoist Talismans look simple in the strokes of characters written on the Yellow Paper and some talismans look very complicated.
Some folks believe in the spiritual power of Taoist Talismans but many more folks just laugh at them , thinking what kind of bullshit that is which a piece of yellow paper can do wonders - protection, wealth, love etc.
Folks who strongly believe in the spiritual power of Taoist Talismans are searching high and low for the knowledge to create Taoist Talismans for themselves.
Some folks think of merely copy the same characters written on the Taoist Talismans and then they will have the same genuine , powerful Taoist Talismans, which is WRONG.
The True Fact Is...
There are a lot of work to be done before the 1st stroke of ink touches the Talisman Paper, and also a lot of work to be done after the Taoist Talisman is drawn / written , in order to spiritually empower the Taoist Talismans.
IMPORTANT: To create / activate / empower Taoist Talismans, You need to be able to read , write, speak and understand Chinese (Mandarin) or Chinese Dialects. YOU CANNOT CHANT WITH ENGLISH OR ANY OTHER NON-CHINESE LANGUAGES TO CREATE / ACTIVATE / EMPOWER THE TAOIST TALISMANS.
Spiritual Cleansing / Empowering of the Tools / Items / Materials that are needed to create Taoist Talismans
1) 敕水咒 - Specific Spell is chanted To Spiritually Cleanse / Activate / Consecrate the Water
2) 敕硃砂咒 - Specific Spell is chanted To Spiritually Cleanse / Activate / Consecrate Cinnabar (For Red Ink)
3) 敕墨咒 - Specific Spell is chanted To Spiritually Cleanse / Activate / Consecrate Black Ink Stick
4) 敕砚咒 - Specific Spell is chanted To Spiritually Cleanse / Activate / Consecrate Ink-Stone
5) 敕筆咒 - Specific Spell is chanted To Spiritually Cleanse / Activate / Consecrate The Brush
6) 敕紙咒 - Specific Spell is chanted To Spiritually Cleanse / Activate / Consecrate The Papers / Cloth
Spiritually Cleansing / Activating / Consecrating of the Tools / Items / Materials are performed only once and need not redo again and again. The Tools / Items / Materials are to be placed on the Spiritual Altar or Desk for future use.
Spiritual Cleansing of the Taoist Master / Sorcerer
Taoist Master / Sorcerer will usually chant several Taoist Verses to spiritually cleanse himself /herself before creating the Taoist Talismans. The several Taoist Verses are based on the 10 Power Incantations of Taoism (道教十大神咒) :
1) 請神咒 - Depend on the purpose of the Taoist Talismans to be created, specific spell is chanted to invoke a paticular Deity or selected group of Deities. Sometime, ghosts / spirits / demons are summoned for Black Magic or Revenge Magic purposes. There are hundred over Chinese / Taoist Deities. Different Taoist Sects / Lineages have different group of Deities. Each Diety has it's own specific spell to be chanted to invoke him / her. Knowing which deity or deities to invoke is very important for a Taoist Master / Sorcerer as different deities have their own specialty of duties.
2) 磨墨咒 - Specific Spell is chanted while circling /grinding the Black Ink Stick on the Ink Tray to mix with the Holy Water.
3) 取筆咒 - Specific spell is chanted while the brush is lifted up to prepare to draw / write the talisman
4)下筆咒 - Specific spell is chanted while starting to draw / write on the Talisman Paper
5) Specific individual spells are chanted while drawing / writing a Talisman from the beginning / top of the Talisman and until the ending /closing /completion of the Talisman. A Taoist Talisman is a combination of several parts from opening to completion. Each part of a Taoist Talisman has it's own specific spell to be chanted from starting to ending.
Taoist Master Explains The Steps Of Creating A Taoist Talisman From Beginning to Ending
Taoist Master Explaining the different types of Fu-Dan (符胆) - The "Gallbladder" part of Talisman
Finally To Empower / Activate the Talismans which has just been drawn / written
1) 敕符咒 / 手印 - Specific spells are chanted and Several Taoist Hand Seals (Signs/ Gestures / Mudras) are performed together to spiritually empower / activate the Taoist Talismans.
2) In some occasions, Pu Gang Ta Dou (步罡踏斗)- Pacing the Big Dipper Bu Gang or Pacing Of Seven Stars Constellation (七星步) are performed.
3) Specific Chant to thank the Deities invoked and sending them off.
4) Burning of Joss Papers ( 金纸) to thank the Deities / Spiritual Entities invoked.
Conclusion:
By now, You understand that creating a Genuine & Powerful Taoist Talisman is not as easy as You have thought. There are many steps and chants involved before , during and after drawing / writing a Taoist Talisman.
If You happened to received FREE Taoist Talisman from a Big Taoist Temple with full of devotees, 90% chance that is a mass printed version of fake Taoist Talismans.
With so many steps and time and the expertise involved in creating a Genuine & Powerful Taoist Talisman, it will never be cheap.
TO BUY GENUINE & POWERFUL TAOIST TALISMANS:
CHECK OUT >> TALISMAN 4 U
Related Articles:
Taoist Talismans - FAKE or REAL? How To Differentiate?
Some folks believe in the spiritual power of Taoist Talismans but many more folks just laugh at them , thinking what kind of bullshit that is which a piece of yellow paper can do wonders - protection, wealth, love etc.
Folks who strongly believe in the spiritual power of Taoist Talismans are searching high and low for the knowledge to create Taoist Talismans for themselves.
Some folks think of merely copy the same characters written on the Taoist Talismans and then they will have the same genuine , powerful Taoist Talismans, which is WRONG.
The True Fact Is...
There are a lot of work to be done before the 1st stroke of ink touches the Talisman Paper, and also a lot of work to be done after the Taoist Talisman is drawn / written , in order to spiritually empower the Taoist Talismans.
IMPORTANT: To create / activate / empower Taoist Talismans, You need to be able to read , write, speak and understand Chinese (Mandarin) or Chinese Dialects. YOU CANNOT CHANT WITH ENGLISH OR ANY OTHER NON-CHINESE LANGUAGES TO CREATE / ACTIVATE / EMPOWER THE TAOIST TALISMANS.
Spiritual Cleansing / Empowering of the Tools / Items / Materials that are needed to create Taoist Talismans
1) 敕水咒 - Specific Spell is chanted To Spiritually Cleanse / Activate / Consecrate the Water
2) 敕硃砂咒 - Specific Spell is chanted To Spiritually Cleanse / Activate / Consecrate Cinnabar (For Red Ink)
3) 敕墨咒 - Specific Spell is chanted To Spiritually Cleanse / Activate / Consecrate Black Ink Stick
4) 敕砚咒 - Specific Spell is chanted To Spiritually Cleanse / Activate / Consecrate Ink-Stone
5) 敕筆咒 - Specific Spell is chanted To Spiritually Cleanse / Activate / Consecrate The Brush
6) 敕紙咒 - Specific Spell is chanted To Spiritually Cleanse / Activate / Consecrate The Papers / Cloth
Spiritually Cleansing / Activating / Consecrating of the Tools / Items / Materials are performed only once and need not redo again and again. The Tools / Items / Materials are to be placed on the Spiritual Altar or Desk for future use.
Spiritual Cleansing of the Taoist Master / Sorcerer
Taoist Master / Sorcerer will usually chant several Taoist Verses to spiritually cleanse himself /herself before creating the Taoist Talismans. The several Taoist Verses are based on the 10 Power Incantations of Taoism (道教十大神咒) :
- 净心神咒 - Incantation for Purifying the Heart
- 净口神咒 - Incantation for Purifying the Mouth
- 净身神咒 - Incantation for Purifying the Body
- 安土地神咒 - Incantation for Pacifying the Earth Spirits
- 净天地神咒 - Incantation for Purifying Heaven and Earth
- 祝香神咒 - Incantation for Offering of Incense
- 金光神咒 - Incantation Golden Light
- 发豪光神咒 - Incantation of Executing Extreme Bright Light
- 净三业神咒 - Incantation of Purifying Karma of 3 Lives - This Live and Previous 2 Lives
- 净坛神咒 - Incantation of Purifying the Altar
1) 請神咒 - Depend on the purpose of the Taoist Talismans to be created, specific spell is chanted to invoke a paticular Deity or selected group of Deities. Sometime, ghosts / spirits / demons are summoned for Black Magic or Revenge Magic purposes. There are hundred over Chinese / Taoist Deities. Different Taoist Sects / Lineages have different group of Deities. Each Diety has it's own specific spell to be chanted to invoke him / her. Knowing which deity or deities to invoke is very important for a Taoist Master / Sorcerer as different deities have their own specialty of duties.
2) 磨墨咒 - Specific Spell is chanted while circling /grinding the Black Ink Stick on the Ink Tray to mix with the Holy Water.
3) 取筆咒 - Specific spell is chanted while the brush is lifted up to prepare to draw / write the talisman
4)下筆咒 - Specific spell is chanted while starting to draw / write on the Talisman Paper
5) Specific individual spells are chanted while drawing / writing a Talisman from the beginning / top of the Talisman and until the ending /closing /completion of the Talisman. A Taoist Talisman is a combination of several parts from opening to completion. Each part of a Taoist Talisman has it's own specific spell to be chanted from starting to ending.
- 三清咒 - Specific Spell to praise the San-Qing
- 祖师咒 - Specific Spell to pay respect to the Founder of Sect
- 符头咒 - Specific Spell to chant while drawing / writing the "head" (top) part of Talisman
- 符胆咒 - Specific Spell to chant while drawing / writing the "gallbladder" part the of Talisman
- 符脚咒 - Specific Spell to chant while drawing / writing the "foot" part (ending) the of Talisman
Taoist Master Explains The Steps Of Creating A Taoist Talisman From Beginning to Ending
Taoist Master Explaining the different types of Fu-Dan (符胆) - The "Gallbladder" part of Talisman
Finally To Empower / Activate the Talismans which has just been drawn / written
1) 敕符咒 / 手印 - Specific spells are chanted and Several Taoist Hand Seals (Signs/ Gestures / Mudras) are performed together to spiritually empower / activate the Taoist Talismans.
2) In some occasions, Pu Gang Ta Dou (步罡踏斗)- Pacing the Big Dipper Bu Gang or Pacing Of Seven Stars Constellation (七星步) are performed.
3) Specific Chant to thank the Deities invoked and sending them off.
4) Burning of Joss Papers ( 金纸) to thank the Deities / Spiritual Entities invoked.
Conclusion:
By now, You understand that creating a Genuine & Powerful Taoist Talisman is not as easy as You have thought. There are many steps and chants involved before , during and after drawing / writing a Taoist Talisman.
If You happened to received FREE Taoist Talisman from a Big Taoist Temple with full of devotees, 90% chance that is a mass printed version of fake Taoist Talismans.
With so many steps and time and the expertise involved in creating a Genuine & Powerful Taoist Talisman, it will never be cheap.
TO BUY GENUINE & POWERFUL TAOIST TALISMANS:
CHECK OUT >> TALISMAN 4 U
Related Articles:
Taoist Talismans - FAKE or REAL? How To Differentiate?
The God / Founder Of Bagua (八卦祖师)
The Symbol of BA-GUA (八卦) represents TAOISM. Many people have seen the Yin-Yang and Ba-Gua Symbols but yet still have no idea who had created it and when it was created.
In Taoist Religion, Fu Xi (伏羲) is revered as The Creater / Master / Patriarch / God / Deity Of Ba-Gua (八卦祖师 / 伏羲大帝 - Ba-Gua Zu Shi / Fu Xi Da Di).
In Chinese mythology, Fu Xi (伏羲), also known as Paoxi (庖牺), reigned during the mid-29th century BCE. He was the first of the Three Sovereigns (三皇 Sānhuáng) of ancient China.
Biography of Fu-Xi (伏羲)
Fu Xi was born on the lower-middle reaches of the Yellow River in a place called Chengji (possibly modern Lantian, Shaanxi or Tianshui, Gansu).
The Chinese traditionally believed that Fuxi could assume dragon form. Fuxi supposedly had the body of a serpent, and the first dragon was said to have appeared to him in 2962 B.C.E.
According to legend the land was swept by a great flood and only Fuxi and his sister Nüwa survived. They retired to Kunlun Mountain where they prayed for a sign from the Emperor of Heaven. The divine being approved their union and the siblings set about procreating the human race.[3] Fu Xi then came to rule over his decedents although reports of his long reign vary between sources from 115 years (B.C.E. 2852-2737) to 116 years (B.C.E. 2952-2836).
Tomb of Fuxi (伏羲)
Fuxi lived for 197 years and died at a place called ChenWan Qiu (陈宛丘) - (淮阳,河南 - modern Huaiyang, Henan) where his mausoleum can still be found.
The tomb of Fuxi has been worshipped for thousands of years in Huaiyang county, in central China's Henan province. The tomb existed there as early as the Spring and Autumn Period, approximately 3,000 years ago. Buildings and plants have been arranged in a giant compound to reflect the Eight Trigrams. Visitors to Fuxi's tomb never miss the hole. It is an ancient tradition for women worshipers to rub their fingers in a hole in the cornerstone of the Xianren Hall, in hopes of being blessed with a happy marriage and healthy children. According to ancient legends, the tomb is on the site where Fuxi gathered young men and women to decide on their marriage.
Mystery of Fuxi Temple
Video 1
Video 2
Fu-Xi (伏羲) and The Ba-Gua(八卦)
Fu Xi (伏羲) discovered the HeTu (河图)- "Yellow River Chart" on the back of a mythical dragon-horse that emerged from the Luo River (洛河). The HeTu(河图) that Fu-Xi discovered inspired him to create the Ba-Gua, known as Primordial Bagua (先天八卦 - Xian Tian Ba Gua). This arrangement of Primordial Bagua (先天八卦 - Xian Tian Ba Gua) preceded the compilation of the I Ching by King Wen of Zhou (周文王) (1152 – 1056 BC) during the Zhou dynasty.
The creation of Eight Trigrams - Ba-Gua (八卦) has enabled Chinese people to understand changes in their world and in the heavens, and the importance of obeying the will of Heaven. In this regard, Chinese people came to worship Heaven and nature with infinite respect, and to understand that their culture was a gift from the gods and a manifestation of certain features of divine culture.
With the assistance of FuXi and other sages, the quality of life of the ancient Chinese improved. They became better able to cope with nature and established norms for human behavior. In this way, the inexperienced and guileless Chinese gradually made a way of life for themselves, and their society entered the early stages of civilization.
64 Hexagrams, known as I-ching, was expanded by 8x8 of the Trigrams of Ba-Gua. Bua-Ga (八卦) and I-Ching (易经) had influenced the Metaphysics, Science and Culture of the Chinese.
As the creator of Eight Trigrams (八卦), which form the basis for the philosophy in the Book of Changes (I Ching), Fuxi (伏羲) has been revered by Chinese scholars as the originator of the I Ching (易经).
In Chinese folks belief, he is the Deity who is in-charge of Spiritual Skills.
Other Contributions Of Fu Xi (伏羲) To Chinese People
- Introduced Cooking Food Over Fire
- Hunt with weapons made of iron
- Make nets to catch fish
- Domesticate animals (养六畜,以充庖厨) & Poultry
- Created "Nine Needles" (九针) and developed Acupuncture
- Instituted marriage in Chinese society
- Created “Shu Qi,” (书契) - A system of carving characters on wood to replace the previous record keeping through knot tying.
- Sericiculture (cultivation of silk worms) and the weaving of threads from silkworm cocoons into textiles
- Built Six Decades Calender (Calender Of Sixty Years Cycle) - Jia-Zi Calender ( 甲子历法 )
- Fixed 24 Solar Terms (二十四节气)
- Created a harp musical instrument - Qin-Se (琴瑟)
- NuWa invented the Gui(规) - Measuring Compass and Fu-Xi invented Jǔ(矩尺) - (曲尺 Qu Chi / Carpenter's Square). When 2 words put together - Guī Jǔ(规矩) - To be well-behaved, well disciplined; Follow Rules, Customs, Regulation.
In this way, the productivity and live of the people greatly improved.
REMEMBER AND WORSHIP BA-GUA ZU SHI / FU XI DA DI (八卦祖师 / 伏羲大帝)
BA-GUA (八卦) served as the basis for Ancient Chinese Mathematics, Traditional Chinese Medicine, Chinese Divination , Chinese Geomancy , Chinese Martial Arts and as clues to the secrets of creation such as the evolution of nature and its cyclic changes...
Whether You are a Chinese or a Western Folk who happened to see the Ba-Gua, or studying / learning / practising Taoist Religion, Taoist Martial Arts - Ba-Gua Zhang / Tai-Chi , Feng Shui , TCM (Traditional Chinese Medicine) , I-Ching / Zhou Yi... always remember FU-XI (伏羲) - TH BA-GUA ZU SHI / FU XI DA DI (八卦祖师 / 伏羲大帝) - The ORIGINATOR / CREATOR OF BA-GUA (八卦).
BAGUA Related Articles:
Primordial Bagua (先天八卦)
(八卦祖师 / 伏羲大帝)
In Taoist Religion, Fu Xi (伏羲) is revered as The Creater / Master / Patriarch / God / Deity Of Ba-Gua (八卦祖师 / 伏羲大帝 - Ba-Gua Zu Shi / Fu Xi Da Di).
In Chinese mythology, Fu Xi (伏羲), also known as Paoxi (庖牺), reigned during the mid-29th century BCE. He was the first of the Three Sovereigns (三皇 Sānhuáng) of ancient China.
Biography of Fu-Xi (伏羲)
Fu Xi was born on the lower-middle reaches of the Yellow River in a place called Chengji (possibly modern Lantian, Shaanxi or Tianshui, Gansu).
The Chinese traditionally believed that Fuxi could assume dragon form. Fuxi supposedly had the body of a serpent, and the first dragon was said to have appeared to him in 2962 B.C.E.
According to legend the land was swept by a great flood and only Fuxi and his sister Nüwa survived. They retired to Kunlun Mountain where they prayed for a sign from the Emperor of Heaven. The divine being approved their union and the siblings set about procreating the human race.[3] Fu Xi then came to rule over his decedents although reports of his long reign vary between sources from 115 years (B.C.E. 2852-2737) to 116 years (B.C.E. 2952-2836).
Tomb of Fuxi (伏羲)
Fuxi lived for 197 years and died at a place called ChenWan Qiu (陈宛丘) - (淮阳,河南 - modern Huaiyang, Henan) where his mausoleum can still be found.
The tomb of Fuxi has been worshipped for thousands of years in Huaiyang county, in central China's Henan province. The tomb existed there as early as the Spring and Autumn Period, approximately 3,000 years ago. Buildings and plants have been arranged in a giant compound to reflect the Eight Trigrams. Visitors to Fuxi's tomb never miss the hole. It is an ancient tradition for women worshipers to rub their fingers in a hole in the cornerstone of the Xianren Hall, in hopes of being blessed with a happy marriage and healthy children. According to ancient legends, the tomb is on the site where Fuxi gathered young men and women to decide on their marriage.
Mystery of Fuxi Temple
Video 1
Video 2
Fu-Xi (伏羲) and The Ba-Gua(八卦)
Fu Xi (伏羲) discovered the HeTu (河图)- "Yellow River Chart" on the back of a mythical dragon-horse that emerged from the Luo River (洛河). The HeTu(河图) that Fu-Xi discovered inspired him to create the Ba-Gua, known as Primordial Bagua (先天八卦 - Xian Tian Ba Gua). This arrangement of Primordial Bagua (先天八卦 - Xian Tian Ba Gua) preceded the compilation of the I Ching by King Wen of Zhou (周文王) (1152 – 1056 BC) during the Zhou dynasty.
The creation of Eight Trigrams - Ba-Gua (八卦) has enabled Chinese people to understand changes in their world and in the heavens, and the importance of obeying the will of Heaven. In this regard, Chinese people came to worship Heaven and nature with infinite respect, and to understand that their culture was a gift from the gods and a manifestation of certain features of divine culture.
With the assistance of FuXi and other sages, the quality of life of the ancient Chinese improved. They became better able to cope with nature and established norms for human behavior. In this way, the inexperienced and guileless Chinese gradually made a way of life for themselves, and their society entered the early stages of civilization.
64 Hexagrams, known as I-ching, was expanded by 8x8 of the Trigrams of Ba-Gua. Bua-Ga (八卦) and I-Ching (易经) had influenced the Metaphysics, Science and Culture of the Chinese.
As the creator of Eight Trigrams (八卦), which form the basis for the philosophy in the Book of Changes (I Ching), Fuxi (伏羲) has been revered by Chinese scholars as the originator of the I Ching (易经).
In Chinese folks belief, he is the Deity who is in-charge of Spiritual Skills.
Other Contributions Of Fu Xi (伏羲) To Chinese People
- Introduced Cooking Food Over Fire
- Hunt with weapons made of iron
- Make nets to catch fish
- Domesticate animals (养六畜,以充庖厨) & Poultry
- Created "Nine Needles" (九针) and developed Acupuncture
- Instituted marriage in Chinese society
- Created “Shu Qi,” (书契) - A system of carving characters on wood to replace the previous record keeping through knot tying.
- Sericiculture (cultivation of silk worms) and the weaving of threads from silkworm cocoons into textiles
- Built Six Decades Calender (Calender Of Sixty Years Cycle) - Jia-Zi Calender ( 甲子历法 )
- Fixed 24 Solar Terms (二十四节气)
- Created a harp musical instrument - Qin-Se (琴瑟)
- NuWa invented the Gui(规) - Measuring Compass and Fu-Xi invented Jǔ(矩尺) - (曲尺 Qu Chi / Carpenter's Square). When 2 words put together - Guī Jǔ(规矩) - To be well-behaved, well disciplined; Follow Rules, Customs, Regulation.
In this way, the productivity and live of the people greatly improved.
REMEMBER AND WORSHIP BA-GUA ZU SHI / FU XI DA DI (八卦祖师 / 伏羲大帝)
BA-GUA (八卦) served as the basis for Ancient Chinese Mathematics, Traditional Chinese Medicine, Chinese Divination , Chinese Geomancy , Chinese Martial Arts and as clues to the secrets of creation such as the evolution of nature and its cyclic changes...
Whether You are a Chinese or a Western Folk who happened to see the Ba-Gua, or studying / learning / practising Taoist Religion, Taoist Martial Arts - Ba-Gua Zhang / Tai-Chi , Feng Shui , TCM (Traditional Chinese Medicine) , I-Ching / Zhou Yi... always remember FU-XI (伏羲) - TH BA-GUA ZU SHI / FU XI DA DI (八卦祖师 / 伏羲大帝) - The ORIGINATOR / CREATOR OF BA-GUA (八卦).
BAGUA Related Articles:
The Taoist Symbol - The Power Of Bagua (八卦)
The Bagua (八卦) are eight trigrams used in Taoist cosmology to represent the fundamental principles of reality, seen as a range of eight interrelated concepts.
Bagua (八卦) represents the thoughts of Chinese philosophy. Besides the Art Of Chinese Divination and Feng Shui, the impact of using Bagua (八卦) concept involved Traditional Chinese Medicine, Chinese Martial Arts, Chinese Music and other aspects of Chinese Culture.
The relationships between the trigrams are represented in two arrangements:
Also known as "Earlier Heaven" or "Fuxi" Bagua (伏羲八卦)
The trigrams on Primordial Bagua (先天八卦 - Xian Tian Bagua) is symmetrical by forming exact contrary pairs. They symbolize the opposite forces of Yin and Yang and represent an ideal state, when everything is in balance. This arrangement based ONLY on the equilibrium between Heaven and the Universe. It did not take into the consideration the on the changes of the environmental conditions and the elements became hostile.
Primordial Bagua (先天八卦) is mainly used in:
- Taoist Talismans / Sorcery / Rituals/
- Taoist Exorcism
- Taoist Temples
- Taoist Black Command Flag
- Bagua Mirrors
- Feng Shui Analysis for burial sites
THE CREATION OF XIAN_TIAN BA-GUA (先天八卦)
Fuxi (伏羲, Fu Xi or Fu Hsi) is one of the 3 Sovereigns of the ancient period of the "3 Sovereigns and 5 Emperors" of China (2850 - 2200 BC). He discovered the HeTu(河图)- "Yellow River Chart" on the back of a mythical dragon-horse that emerged from the Luo River (洛河).
The HeTu(河图) Fu-Xi discovered inspired him to create the Ba-Gua, known as Primordial Bagua (先天八卦). Primordial Bagua (先天八卦) is derived from HeTu (河图).
Fuxi's Definition Of Ba-Gua:
The Limitless (Wuji) produces the delimited, and this is the Absolute (Taiji)
The Taiji produces two forms, named yin and yang
The two forms produce four phenomena, named lesser yin, great yin (taiyin also means the Moon), lesser yang, great yang (taiyang also means the Sun).
The four phenomena act on the eight trigrams (bagua), eight eights are sixty-four hexagrams.
无极生有极,有极是太极,太极生两仪(即阴阳),两仪生四象(即少阳,太阳,少阴,太阴),四象演八卦,八八六十四卦”,此为伏羲八卦,也叫先天八卦
The Manifested Bagua (後天八卦)
- Also known as "Later Heaven" or "King Wen" Bagua (文王八卦)
The arrangement of the trigrams on "King Wen" Bagua (文王八卦) describes the patterns of the environmental changes. "King Wen" Bagua (文王八卦) depicts an evolving and ever-changing universe. It describes the world where time and matter interact and exert their influence upon the living. It also describes the cycle of movement that allows progress.
"King Wen" Bagua (文王八卦) is mainly used in:
- Feng Shui Analysis for residential sites
- The sequence used by the Luo Pan (Feng Shui Compass) in Feng Shui for residential sites
- Chinese Astrology
- Chinese Divination
- Traditional Chinese medicine
- Acupuncture
- Chinese Architecture
The CREATION OF HOU TIAN BA-GUA (後天八卦)
Yu the Great (大禹 c. 2200 - 2100 BC) was a legendary ruler in ancient China famed for his introduction of flood control, inaugurating dynastic rule in China by founding the Xia Dynasty, and for his upright moral character.
According to legend, Emperor Yu was sitting by the banks of Luo River (洛河) when a giant tortoise emerged from the river. Inscribed on its huge back were circular dots of black and white markings which made up a perfect 3 X 3 nine-grid pattern , known as the Luo Shu (洛书) diagram.
King Wen of Zhou (周文王) (1152 – 1056 BC) was king of Zhou during the late Shang dynasty in ancient China. He modified FuXi's Primordial Bagua (先天八卦) according to the Luo Shu (洛书) and the new arrangement became known as the Manifested Bagua (後天八卦 - Hou Tian Ba Gua).
King Wen's Definition Of Ba-Gua:
When the world began, there was heaven and earth. Heaven mated with the earth and gave birth to everything in the world. Heaven is Qian-gua, and the Earth is K'un-gua. The remaining six guas are their sons and daughters
周文王的乾坤学说,他认为先有天地,天地相交而生成万物,天即乾,地即坤,八卦其余六卦皆为其子女:震为长男,坎为中男,艮(读音:gèn)为少男;巽(读音:xùn)为长女,离为中女,兑为少女,是为文王八卦,又称后天八卦。
BAGUA AND I-CHING - THE BINARY SYSTEM OF ANCIENT CHINA
The three lines on the 8 corners of BAGUA (八卦) are either "Broken" or "Solid", representing Yin (Negative) or Yang (Positive). In mathematics and computer science, the binary numeral system, or base-2 numeral system, represents numeric values using two symbols: typically 0 (Negative) and 1 (Positive).
The discovery of modern binary number system was often credited to Wilhelm Von Leibuiz (1646-1716) , by the Western Science. Leibniz was first introduced to the I Ching (64 Hexagrams derived from the 2 Baguas Combined) through his contact with the French Jesuit Joachim Bouvet, who visited China in 1685 as a missionary.
Leibniz interpreted the hexagrams as evidence of binary calculus. The text contains a set of eight trigrams (Bagua) and a set of 64 hexagrams ("sixty-four" gua), analogous to the three-bit and six-bit binary numerals, were in use at least as early as the Zhou Dynasty of ancient China.
BAGUA Related Articles:
Bagua (八卦) represents the thoughts of Chinese philosophy. Besides the Art Of Chinese Divination and Feng Shui, the impact of using Bagua (八卦) concept involved Traditional Chinese Medicine, Chinese Martial Arts, Chinese Music and other aspects of Chinese Culture.
The relationships between the trigrams are represented in two arrangements:
- The Primordial Bagua (先天八卦)
- The Manifested Bagua (後天八卦)
Also known as "Earlier Heaven" or "Fuxi" Bagua (伏羲八卦)
The trigrams on Primordial Bagua (先天八卦 - Xian Tian Bagua) is symmetrical by forming exact contrary pairs. They symbolize the opposite forces of Yin and Yang and represent an ideal state, when everything is in balance. This arrangement based ONLY on the equilibrium between Heaven and the Universe. It did not take into the consideration the on the changes of the environmental conditions and the elements became hostile.
Primordial Bagua (先天八卦) is mainly used in:
- Taoist Talismans / Sorcery / Rituals/
- Taoist Exorcism
- Taoist Temples
- Taoist Black Command Flag
- Bagua Mirrors
- Feng Shui Analysis for burial sites
THE CREATION OF XIAN_TIAN BA-GUA (先天八卦)
Fuxi (伏羲, Fu Xi or Fu Hsi) is one of the 3 Sovereigns of the ancient period of the "3 Sovereigns and 5 Emperors" of China (2850 - 2200 BC). He discovered the HeTu(河图)- "Yellow River Chart" on the back of a mythical dragon-horse that emerged from the Luo River (洛河).
The HeTu(河图) Fu-Xi discovered inspired him to create the Ba-Gua, known as Primordial Bagua (先天八卦). Primordial Bagua (先天八卦) is derived from HeTu (河图).
HeTu (河图)
Fuxi's Definition Of Ba-Gua:
The Limitless (Wuji) produces the delimited, and this is the Absolute (Taiji)
The Taiji produces two forms, named yin and yang
The two forms produce four phenomena, named lesser yin, great yin (taiyin also means the Moon), lesser yang, great yang (taiyang also means the Sun).
The four phenomena act on the eight trigrams (bagua), eight eights are sixty-four hexagrams.
无极生有极,有极是太极,太极生两仪(即阴阳),两仪生四象(即少阳,太阳,少阴,太阴),四象演八卦,八八六十四卦”,此为伏羲八卦,也叫先天八卦
The Manifested Bagua (後天八卦)
- Also known as "Later Heaven" or "King Wen" Bagua (文王八卦)
The arrangement of the trigrams on "King Wen" Bagua (文王八卦) describes the patterns of the environmental changes. "King Wen" Bagua (文王八卦) depicts an evolving and ever-changing universe. It describes the world where time and matter interact and exert their influence upon the living. It also describes the cycle of movement that allows progress.
"King Wen" Bagua (文王八卦) is mainly used in:
- Feng Shui Analysis for residential sites
- The sequence used by the Luo Pan (Feng Shui Compass) in Feng Shui for residential sites
- Chinese Astrology
- Chinese Divination
- Traditional Chinese medicine
- Acupuncture
- Chinese Architecture
The CREATION OF HOU TIAN BA-GUA (後天八卦)
Yu the Great (大禹 c. 2200 - 2100 BC) was a legendary ruler in ancient China famed for his introduction of flood control, inaugurating dynastic rule in China by founding the Xia Dynasty, and for his upright moral character.
According to legend, Emperor Yu was sitting by the banks of Luo River (洛河) when a giant tortoise emerged from the river. Inscribed on its huge back were circular dots of black and white markings which made up a perfect 3 X 3 nine-grid pattern , known as the Luo Shu (洛书) diagram.
King Wen of Zhou (周文王) (1152 – 1056 BC) was king of Zhou during the late Shang dynasty in ancient China. He modified FuXi's Primordial Bagua (先天八卦) according to the Luo Shu (洛书) and the new arrangement became known as the Manifested Bagua (後天八卦 - Hou Tian Ba Gua).
Luo Shu (洛书)
King Wen's Definition Of Ba-Gua:
When the world began, there was heaven and earth. Heaven mated with the earth and gave birth to everything in the world. Heaven is Qian-gua, and the Earth is K'un-gua. The remaining six guas are their sons and daughters
周文王的乾坤学说,他认为先有天地,天地相交而生成万物,天即乾,地即坤,八卦其余六卦皆为其子女:震为长男,坎为中男,艮(读音:gèn)为少男;巽(读音:xùn)为长女,离为中女,兑为少女,是为文王八卦,又称后天八卦。
BAGUA AND I-CHING - THE BINARY SYSTEM OF ANCIENT CHINA
The three lines on the 8 corners of BAGUA (八卦) are either "Broken" or "Solid", representing Yin (Negative) or Yang (Positive). In mathematics and computer science, the binary numeral system, or base-2 numeral system, represents numeric values using two symbols: typically 0 (Negative) and 1 (Positive).
The discovery of modern binary number system was often credited to Wilhelm Von Leibuiz (1646-1716) , by the Western Science. Leibniz was first introduced to the I Ching (64 Hexagrams derived from the 2 Baguas Combined) through his contact with the French Jesuit Joachim Bouvet, who visited China in 1685 as a missionary.
Leibniz interpreted the hexagrams as evidence of binary calculus. The text contains a set of eight trigrams (Bagua) and a set of 64 hexagrams ("sixty-four" gua), analogous to the three-bit and six-bit binary numerals, were in use at least as early as the Zhou Dynasty of ancient China.
BAGUA Related Articles:
- The God / Founder Of Bagua (八卦祖师)
- The Taoist Bagua Jade (For expelling ghosts & Destroy Black Magic)
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